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I should not communicate right now.

It seems that I am ruffling feathers not matter what I say, to whom, or in which language, spoken or written. Good thing I'm leaving for Scotland tomorrow, I shall enjoy the solitude very much. There will be wind and cold and walks and not much more.
Boyfriend's anniversary of death is on Friday. Just the icing on the cake.
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piezas

el dolor que provocasno es nada ccomparadocon lo que es la vida misma.arrancado del vientre de tu madrevivo, delicado, amadote veo,respira, no dejes de hacerlomantente unido a la vidapor medio de maquinas perversasmaquinas que te atan a mique mantienen la esperanzasi has de irtehas de saberque el amor que siento por ties inmensoincomparablemaquinas que te atan a mique mantienen la esperanzano te vallas,la vida apenas empiezay yo estare aquipara cuidarte
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new album?

i was at radiohead.com and it said thisFri, 22 JanuaryRadiohead for HaitiJust to clarify times for ticket salesAuction starts Thursday 21st January 08.00 pm PSTAuction ends Saturday 23rd January 11.00 am PSTWell, that's all clear now....xPhilipRadiohead for HaitiWe're doing a show this Sunday (24th January) to raise funds for the relief effort in Haiti. The venue is The Music Box Theatre at The Fonda in Los Angeles, doors at 7pm. All proceeds are going to the Oxfam Haiti relief fund. We're trying to raise as much money as possible, so tickets will be sold by auction at this site from 8pm tonight until 11am Saturday (PST):http://www.ticketmaster.com/event/09004434FC1C86ACWe're in the middle of recording at the moment, so you'll be catching us on the fly.... but if you're up for it, then we are too.See you thenxPhilipand this is pretty confusing and i heard they werent making any more albums so what are they recording? any way i need to know so i want you all to research and let me know if this is true ok bye
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Chico Mendes - a man ahead of his time

Silvestre Gorgulho said, and I quote: " A semente para germinar, virar árvore, dar frutos e produzir novas sementes precisa antes morrer. Chico Mendes foi semente que germinou." (in order to germinate, become a tree, produce fruitage and seeds, a seed needs to die. Chico Mendes was a seed that germinated (translated by me))Francisco Alves Mendes Filho Cena aka Chico Mendes (December 15, 1944 – December 22, 1988), was a Brazilian rubber tapper. He became known because of his work in the defense of the Amazonian Forest.He lived in the city of Xapuri, State of Acre, a small part of Brazil, that began to be invaded, literally, by landowners from the southern states due to the expansion of agriculture and catle breeding in Brazil, in the 1970's. I use the term invaded because these, so called, landowners wrongly assumed that the Forest had no owners and they literally expelled any community that lived in the lands they wanted to take over. They did not, I repeat: the landowners did not kill or exterminate any community. They did pay the hungry illiterate community members to do it on their behalf, though.And they were really succeful!!!!!

The communities of rubber tappers were freightened with the menace of the "landowners" taking over the forests and exterminating their homes and way of living. They were scared with the idea of having to leave their homes and working in these " landowners' properties". It was then that Chico Mendes realized two important things: 1. the executioners were local working men just like the rubber tappers; 2. this wasn't a matter of surrending to a landowner or executioner, but a fight against the unreasonable exploitation of natural resources of the Amazonian forest.Chico Mendes started something new in the Brazilian history: he started a peaceful resistance movement. Many of his friends thought he was indeed crazy, they did not want to resist the invasion of the cattle breeding farmers. But Chico did not fear these men, instead he used to line up with his friend making a human barrier. In other cases, he talked to the executioners to make them understand they were not different from each other; the rubber tappers were trying to make a living just like the executioners. Until the day they shot him in the back.Still, he accomplished a lot of good things, such as: the stablishment of the Rubber Tappers National Council (CNS), the Forest People Alliance, the creation of extractive reserves in order to protect the indigenous areas and the forest, and ensure the rubber tappers’ agrarian reform. Under his leadership, the rubber tappers struggle gained national and international exposure.Well, he did lots of things. but to me he was much more than that. Beyond the defense of a new concept in conservation where parts of land are set aside by the state for workers harvesting rubber, fruits, and nuts, he was an honest man that fought for a dignified way of life for his community and society as a hole. A simple man with an idea that changed his life, his community, and MYSELF. He went way further than sustainable development, he thought about dignity, fairness, rightousness, liberty. and he was killed because of it!Chico Mendes was killed in 1988 by landowners. A BRAZILIAN MAN WHO CHANGED MY LIFE.
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HOLLYWOOD?!?!?!?!? parts 2 and 3

Some fresh HD videos from the rail (all on the general video page - and mine)
KID A
http://www.waste-central.com/video/radiohead-for-haiti-kid-a-hd
THE BENDS
http://www.waste-central.com/video/radiohead-for-haiti-the-bends

these were up for a while, but just in case:
Karma Police http://www.waste-central.com/video/radiohead-for-haiti-karma
How To Disappear http://www.waste-central.com/video/radiohead-for-haiti-how-to
FPT http://www.waste-central.com/video/radiohead-for-haiti-fake

Part 2 (part 1 was here)
On the plane. Just sorted through some pix to upload. Headache. My ears are ringing a bit from particularly enthusiastic screamers last night ;-) One thing is really … in some ways… depressing. This is impossible to beat. Or even come close to. There will not ever be a gig LIKE THAT.
But let’s start with smth more uplifting. OK – so my hotel had one phenomenal advantage – it was 2 blocks from the venue. It had a disadvantage of being a dump. Despite the size of the bathroom where one could rollerblade. And the bed surface enough to sleep 6. Yet it failed to sleep one! Granted – a particularly neurotic one, given the circumstances. So even though I did all the emailing and essential communications by 1AM PST (hmmm - it was 4AM where I flew from) I COULD NOT SLEEP. I just barely started dozing off by 3, when a group of drunken young and un-brilliant-sounding neighbors arrived at the room next door and started generating random discombobulated noise at the volume sufficient to wake up the entire building. They even attempted singing (!!) After trying to soldier thru it for about 20 min I called the front desk, and they took care of it – but the sleep was gone. GONE. I should have had a drink or two to come myself down.
I got up at 5++ AM finaly admitting that sleep-wise things were hopeless and decided to just go to the venue. So I found myself standing at the corner by 6:55 AM watching the sun come up above the palm trees and warming the air a little… in front of an absolutely dead uninviting-looking building which had RADIOHEAD sign on it. It looked like an abandoned warehouse. Appropriately, some homeless people were passing by, some pushing their carts, and looking at me with some interest. I failed to see anyone and sat in a parking lot on the sunny of it – at least it was warmer. Some homeless folks asked me if I was alright – and I thanked them not to worry ;-) Between 7 and 8AM, 2 or 3 cars pulled into the lot, but the drivers stayed inside… so it was really kind of lonely and no freaking line to stand in. Finally, one of the drivers came out and said that there are in fact 5 people napping on the other side of the building. I went there and discovered that some sort of the line did exist and I guess I was the 6th one, even though it sounded like all six of us arrived at about the same time – 7AM – having checked the venue the night before and at least once in the middle of the night – ALL OF US. I actually saw one of them earlier – just didn’t know where the ‘official’ waiting area was. So I joined the group. These guys were sweet. Two people drove from Salt Lake City, others were local. Now, I won’t dwell too much upon a day of Q’ing – we’ve all done it to some extent, except to say – people were really NICE. We did some chatting, some runs for coffee, some walk-arounds to warm up (sadly, the line was in the shade THE ENTIRE DAY even though in the sun it was SO WARM! and I was freezing despite generous donations of blankets : -) …Just a couple of points about the demographic of the crowd: I’d say unlike a normal gig, where one finds people from all over, this 2day-notice auction thing I think made the event much more local. There were people who drove serious distances but I remained the longest-distance traveler for a while. “that crazy woman who bought a ticket from NY yesterday 3 hrs before the flight”. But what was surprising and REALLY COMFORTING is… I expected to see a BULK of the crowd to be ‘hollywood types’ with too much cash, showing up right before the gig, or paying someone to stay in line for them… and SOME of them did eventually show up… but the amazing thing was: overall it was a completely normal (hmmm, let me correct myself: ‘baseline obsessive-compulsive’) Radiohead fan crowd you’d find at any gig. I guess, even though it was expensive – most people didn’t travel that far, so it was still manageable. And FOR THIS KIND OF EVENT???!! With my air, ground, hotel, and a ticket – this gig ran me at ~$1K. I guess it was at a higher end than for most locals, and I wish the other half of that 1K went to Haiti as opposed to American Airlines and Best Western – but what can you do?
Now, it was ridiculously well organized. Security people were nice across the board… they stuck to exact schedule (will-call at 4, doors at 7), they organized the line in some convoluted way so that we do get tickets and countless color-coded wristbands, we do not lose our place in line, and scalping is maximally prevented. And because tickets were sold IN PAIRS only, when they lined us up for ticket pick-up, everyone had to be “purchaser+1” and that was THE ONLY WAY they dispensed those tickets and wristbands. Some folks were standing by the line with signs ‘can I be your +1 please?’ Really touching. Some found pairs. I mean… I am fucking impressed. Chaos could have happened at every step of the way - and it did not. We chatted with security through the day about HOW the whole thing was supposed to proceed and they were quite helpful. In the end, when we rushed in at our strict order, the tiny rail was occupied by those 6-8 people and their “+1s” just as we were hanging out in line, and most got EXACTLY the spots they wanted. I know I did! ;-)

Part 3.
No support bands. No road or light crew who I am used to seeing at every gig. No famous purple containers that say ‘RADIOHEAD’ on them. You can check the pictures HERE. The stage is about 3 ft from the rail, and thom’s mic 2 ft in - 5 ft from me. “This is ridiculous, I need a defibrillator just in case”. Except I was quiet abt it, but some people around me were more vocal. Some were crying out loud. …a religious experience? ;-) Stage folks came out and taped set lists to the stage. Close enough that I (and all the press jammed into narrow space between the rail and the stage for the first three songs) took pix. No, I DID NOT broadcast it. I only looked at it… Wolf, Dollars and Cents and Lotus Flower. Is this real?!?! Did I shoot my wish list into cyberspace – telepathically perhaps??
Then it just happened. It’s still difficult for me to put it into words. It was just… different. It was close, yeah, like never before and that alone makes it an entirely different experience. That space between the band playing and the audience watching – it was gone, for me at least. Thom was this guy, directly in front of me, I could count the stitches on his shirt. I can stare at his shoelaces. I mean – I can stare at mine – but his are closer… it’s physical. You occupy the same space. Besides, those of you who did the rail thing before - you know that Thom STARES. Some people do – I do it a little when I give big talks… you address someone in particular not audience as a whole. And Thom is terrible that way – if his eyes are open – he finds someone (which I’m sure is not even conscious on his part) …and if it happens to be you – well, he has you. It’s a direct eye contact, and he’s intense, I know people who complained that he ruined a song for them, because it’s too much. At a ‘regular’ gig... Now, when he’s 5ft from you – I’m sorry … – I can’t take no freaking pix, or shoot videos, or look away or even blink. This is PERSONAL, and I am susceptible. God, I always feel so conflicted abt pix and videos, knowing that others want to see them and I want to preserve them, but they invariably steal from the experience… And HERE, god, why even bother with the whole thing if I’m gonna watch it through the damn viewfinder?!… I tried to compromise but… You know, I think CRABS have a definite evolutionary advantage over us – their eyes can move in-de-pen-dent-ly, looking in very different directions. I wish I could do that. The guys on the hub would sure appreciate that for a future DVD!!!
Seriously though, I think it’s more than just (the lack of) the distance that changed everything. They played differently. It felt as though… we were the insiders. Those hardcore folks who paid a shit-load of money to see them and raise cash for an important cause. We were almost friends, with the same goal. Plus, the show was stripped down – no ‘heavy equipment’ or lights, it was much more intimate, home-like… Much less electronic too – so The Gloaming, Idioteque were out; no crazy drums (no There There), EIIRP was a piano number… Morning Bell sounded totally different. The National Anthem was jazzy! And kinda more 2000ish, I think. The whole set list was peculiar… I mean – Faust Arp as an opener with FTP to follow?! Huh?? It was much more bare bones and raw, relatively speaking. And physical… – yeah, more on that: I think I NEVER FULLY grasped this before – JONNY… was IS an animal… he was MANIC. The speed at which he was polishing that guitar, his whole body practically convulsing… it just wasn’t humanly possible. I mean… remember that review from - was it 93?…- ‘guitar player with a stage presence of an atomic bomb’ – he WAS a bomb. And, you know, I HAVE seen him from “100%-jonny” rail spots before! But now, trying to unglue myself from what’s in front of me – thom - man, I did need those crab eyes!!!! Preferably four.
They played 24 songs. Breaks were short, so it seemed like there was actually no breaks at all. And they appeared to be having fun with it, with us… Thom was joking around, making his silly little moves here and there… He seemed in a great mood. In fact, when I first saw FPT, Exit Music, How To Disappear and Street Spirit (!!) in one set… man, I thought, this will be rather dark. But it wasn’t! Intense – yes, unique sound – yes, but dark??? Don’t think so. Has everyone gotten a chance to listen to this gem???? here we go - that's MUL We also got "a purely binary" ( :-) thx, thom!) choice between Just and Airbag abt 2/3rds in (Airbag was voted in). Remember this girl screaming: "Street Spirit!!!" Thom: “Yes, dear, we'll get to that. You are not in a hurry, are you??” Gotta love the guy : -) And at some point toward the end, he read a note with the numbers– apparently we raised (‘fuck me’) $572K, and the most expensive tix went for $2K each ($4K total). And he thanked us – again - and again. (scratches head: did I spend all in all ½ of that highest priced amount/ticket? Was it more than Drew Berrymore or Justin Timberlake?? Oh boy.)

And that was it. The afterparty was to be held right there, they were cleaning out all the trash on the floor… And a DJ started setting up his little shop… And I could have stayed because… it was just clear that I could have if I’d used a bit of imagination despite the absence of a wristband #4 (3 were already on…). But the demographic WAS changing… and it no longer seemed terribly attractive (sorry, Justin). I was too wiped out by everything that had happened in the 30 hrs prior, and in a way that I did not want to spoil (sorry, Justin, that means you). So after a generous glass of wine on my 2-day-empty stomach with my friend Liza (whose ‘+1’ I was ;-) ), I was uploading HTD from my hotel room!… I must have been officially brain-dead by then.

So here on a plane – I cannot listen to RH. At all. My iPOD just decided to play Nude and left me in tears for the next hr. I tend to hit the after-gig trance quite reproducibly, but this one was different. Because I can’t get over the fact that this is the best I’m ever gonna see them. I love them – we all do – but once you cross the boundary and shift from a hugely successful band to these guys, you feel so connected to, playing their music in a tiny venue a few feet away from you – it’s almost impossible to go back. Well, it is possible but it hurts.

SO that’s the story. I better get back to earth and the sooner the better.
XX love XX


some sweet closeups... SELECT 720 for HD



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petergabriel2.jpg

"Radiohead vai fazer cover de Peter GabrielO grupo Radiohead vai lançar um cover da música "Wallflower", uma das faixas do quarto disco solo de Peter Gabriel, de 1982."Thom [Yorke, vocalista do Radiohead] quer fazer uma versão de 'Wallflower', a qual estou muito curioso para escutar", disse Gabriel, reporta o site NME. "Acho que foi uma música importante para ele quando ele tinha 14 anos", completou.Com o cover, o grupo britânico retribuirá o trabalho de Gabriel, que, em seu último álbum, "Scratch My Back", gravou sua versão de "Street Spirit (Fade Out)", do Radiohead."Scratch My Back" foi lançado no último dia 25 e tem também versões de "Mirrorball", do Elbow e "Après Moi", de Regina Spektor.O cover de "Wallflower" que será feito pelo Radiohead ainda não tem previsão de lançamento.Escute abaixo a versão original da música de Peter Gabriel."26/01/2010 - 09:44Da redação, por Cássio Lignanihttp://www.cifraclubnews.com.br/noticias/20690-radiohead-vai-gravar-versao-de-wallflower-musica-de-peter-gabriel.htmlMatéria NMERadiohead set to cover Peter Gabriel's 'Wallflower' Thom Yorke and co to cover the 1982 songJanuary 26, 2010"Radiohead are set to cover Peter Gabriel's 1982 song 'Wallflower'.The songwriter recently covered Radiohead's 'Street Spirit (Fade Out)' on his new album 'Scratch My Back', with Thom Yorke and co now set to return the favour as part of Gabriel's 'song swap' project, reports AtEaseWeb.com."Thom wanted to do a version of 'Wallflower' which I'm very curious to hear," Gabriel said in a podcast on his website PeterGabriel.com. "I think that was an important track for him when he was 14."No release date has been given for the cover, but 'Scratch My Back', which also features covers including Elbow's 'Mirrorball' and Regina Spektor's 'Apres Moi', was released on January 25.",http://www.nme.com/news/radiohead/49418
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On Deaf Ears

Clouds roll in and thunder roarsTears, they fall in rageburning rivers down the faceOf the once innocentHumanity ripped from soulsThe heartless riseThe careless lingerWhat was once is no longerWhat should be, never wasIneffectual wordsCounting down to nothing
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de nuevo aqui

estas aqui, observando mientras soy lentamente cortado en pedazos...una vez mas, mi unico amigo,estamos metidos en problemas,juntos, como siempreyo se que sientes el mismo dolor que yose que aunque no puedes hacer nadaestas aquiy eso, es mas de lo que podias haber echo....
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Manifesto SOS Mata Atlântica

O ser humano é parte integrante da natureza.Acreditamos...Que a humanidade só garantirá a qualidade de vida quando souber conviver em harmonia com o ambiente em que vive.Que a responsabilidade da preservação é de toda a sociedade, com ações praticadas no seu dia-a-dia.Que a sensibilização de um indivíduo é a base da mobilização coletiva.Que a nossa luta é hoje, agora e deve ser renovada a todo momento.Não podemos deixar para agir amanhã.Que a sustentabilidade da vida no planeta depende de uma economia que tenha o sócioambiental como premissa.Nosso compromissoÉ urgente convocar nossa comunidade para o exercício de uma cidadania ambiental, responsável e comprometida com o futuro do nosso território, o bioma Mata Atlântica, patrimônio da humanidade.Esse é um compromisso de todos nós como reconhecimento do nosso vínculo, solidariedade, respeito e integração com a natureza.A contribuição da SOS Mata Atlântica é alertar, informar, educar, mobilizar e capacitar para o exercício da cidadania, catalisando as melhores práticas, os conhecimentos e as alianças.(disponível em: https://loja.sosma.org.br/Front.php/)
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RADIOHEAD SHOW BENEFIT FOR HAITI

Radiohead for Haiti We're doing a show this Sunday (24th January) to raise funds for the relief effort in Haiti. The venue is The Music Box Theatre at The Fonda in Los Angeles, doors at 7pm. All proceeds are going to the Oxfam Haiti relief fund. We're trying to raise as much money as possible, so tickets will be sold by auction at this site from 8pm tonight until 11am Saturday (PST): http://www.ticketmaster.com/event/09004434FC1C86AC We're in the middle of recording at the moment, so you'll be catching us on the fly.... but if you're up for it, then we are too. See you then Phil x Just to clarify times for ticket sales Auction starts Thursday 21st January 08.00 pm PST Auction ends Saturday 23rd January 11.00 am PST Well, that's all clear now.... x Philip

PICS

HALF A MILLION FOR HAITI

http://www.mxdwn.com/2010/01/25/features/half-a-million-for-haiti-radiohead-rocks-the-henry-fonda-theater-12410/ Al menos USD 617.500 se recaudaran en Concierto de Caridad Los tickets que salieron a subasta el dia de hoy para el Concierto de Radiohead a Beneficio de Haiti alcanzaron valores increibles, quedando en 475 dolares el valor minimo por ticket (Inicialmente se habia estimado en 100 dolares) y si tomamos en consideracion que son 1.500 ubicaciones las que se vendieron nos da la sorprente suma de 617.500 dolares, los cuales en su totalidad van en ayuda del golpeado pueblo Haitiano, y decimos “como minimo” ya que muchos usuarios han hecho notar su interes de pagar mas de lo que permitia el sistema como precio maximo, el cual sera abonado el mismo dia del evento. http://www.waste-central.com/video/haiti-1 Thom announced $572,754 raised by the ticket auctions for Oxfamfirs pic from the show

http://www.waste-central.com/video/haiti-relief-fundraising http://twitpic.com/znjs3 "Thanks for spending ludicrous money" - Thom FLEA LOVES THM JJAAHHAA !!

http://www.twitvid.com/03528 http://www.twitvid.com/1A0FD SETLIST 1.Faust Arp Play Video 2.Fake Plastic Trees Play Video 3.Weird Fishes/Arpeggi Play Video 4.The National Anthem Play Video 5.Nude Play Video 6.Karma Police Play Video 7.Kid A Play Video 8.Morning Bell Play Video 9.How To Disappear Completely Play Video 10.A Wolf At The Door Play Video 11.The Bends Play Video 12.Reckoner Play Video 13.Lucky Play Video 14.Bodysnatchers Play Video 15.Dollars & Cents Play Video 16.AirbagThom asked the fans to choose between "Airbag" and "Just" Play Video 17.Exit Music (For A Film) Play Video Encore: 18.Everything In Its Right PlaceThom alone at the piano Play Video 19.You and Whose Army? Play Video 20.Pyramid Song Play Video AFTERSHOWPARTY

Thom Yorke djing the (only 150 people) afterparty @fondamusicbox Radiohead! Good times! Afterparty on the floor level of @FondaMusicBox. Flea, Rosanna Arquette, Aziz Ansari, Anna Paquin, Paul Thomas Anderson .. http://twitpic.com/zo6pv/full AUDIO mp3 http://www.megaupload.com/?d=NRP399PU http://www.sendspace.com/file/9hhigb Radiohead - For Haiti The Music Box @ The Fonda Los Angeles, CA January 24th, 2010 location: Front row balcony, center thanks hardlylurkin CELEBRITIES IN THE CROWD James Bond actor Daniel Craig, Rosanna Arquette, Maggie Gyllenhaal, Charlize Theron and True Blood stars Anna Paquin, Steven Moyer, Justin Timberlake, Jessica Biel & MORE .... ARTICULES http://latimesblogs.latimes.com/music_blog/2010/01/radiohead-at-the-fonda.html http://www.rollingstone.com/rockdaily/index.php/2010/01/25/radiohead-rock-for-haiti-at-small-los-angeles-benefit-show/ VIDEOS http://www.waste-central.com/video/lotus-flowers http://www.waste-central.com/video/the-bends-haiti-relief http://www.waste-central.com/video/a-wolf-at-the-door-my
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HOLLYWOOD?!?!?!?!?

part I

Ok… so…
So this is BY FAR the craziest thing I’ve done in my life. I ruled out this gig as an absolute impossibility. I did not even consider. I have spent silly amounts of money to do Mexico and Prague – but this was something I procrastinated over and planned for months… it’s not just about $$; the amount of air-travel is obscene – even though I did offset my CO2 footprint for ALL MY FLIGHTS for 2009 – but that’s still a lame excuse. Astronomical amount of time wasted traveling – and by virtue of my job… it is costing me dearly… so I said – OK, this ticket will cost 4 figures, and the only way I can EVEN CONSIDER bidding – because it IS a one of a kind thing, and because the cash is going to a NOBLE CAUSE – IS if it were here, in New York, on the ‘correct’ coast. And I already donated A LOT to Haiti. And I participated in Formengr’ fundraiser to get the taper into the venue AT A SIGNIFICANT level :-))) In fact, I sweated thru this auction as if I was a part of it and was wiped out at the end. When … minutes after it ended at 2PM EST, my friend in LA told me that her bottom level (450?) bid got in (!!) And that she is uncertain what to do with her 2nd ticket. AAHH!! Ok, let’s just say: $450 is something that fucking scalpers charge for ANY Radiohead gig. Every time. If this is what an event LIKE THIS cost me back home – I’d consider it FREE. But – this was in LA. Tomorrow. I seriously considered turning off the internet. Except instead, I asked Formengr if he’d buy the ticket, god knows I REALLY wanted him to get in. And he said he couldn’t make it. So repeating to myself “inez, what the fuck are you even thinking?” sitting in New York at 3PM in my PJs in front of the computer in cold sweat and shaking. I clicked on Travelocity and saw a …….$186 roundtrip NY-LA leaving at 7:10PM. I thought I put in wrong date or wrong location ------ SO ----- ..the rest is more or less a blur. I called my LA friend, told her I have no fucking idea what my dirty mind is thinking, or where I am staying and what my name is, but I AM doing it. And booked the flight. I emailed a dear friend in Europe because I felt like a fucking criminal and that she was supposed to be there. I remember looking for a bag, and the camera charger, and contact lenses and dropping things on the floor a lot (I have no clue what clothes are in my bag in the overhead compartment now). I jammed my printer. I had 1 hr to get my ass out of the house. I realized that I had a total of $4 in cash and had to leave even earlier to get to the cash machine. I called my ‘other’ and asked if he considers me clinically insane. He… he found me a hotel in the next 5 min – 3 blocks from the venue (he may still consider me insane…). And then I was in a cab, close to passing out, so that the cabby asked me if someone’s cat has died :-) and I told him THE WHOLE STORY (you see, I was really out of it by then) - and he said I was doing the right thing! It was gloriously clear outside, and almost no traffic. JFK was the mellowest I’ve seen it in years and I ended up arriving so early that I actually managed to have breakfast-lunch-dinner or whatever the first meal of the day would have been in any random time zone. Even though I wasn’t hungry at all – to avoid headaches… Can’t remember what I ate. I spoke with my LA friend again and she said that she would actually pick me up (!!!!!!) at LAX (Thank you dear!). This was like a movie … A dream of some sort. They boarded the plane early - it was barely 1/3 full. They let me get on and off the plane and back on to re-check to a better seat and gave me a full row, ‘cause it was so empty. We pulled away from the gate early. I realized that my arrival’s late enough in the PM and my hotel may cancel my reservation, so I punched on my stupid barely-txt-compatible phone ‘pls tell hotel im lat’ (there was no time for an ‘e’) as we were accelerating on the runway and hit SEND when we were about 10ft above the ground. And did not get arrested. IS THIS REALLY HAPPENING?

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Tomorrow's gig - YOU CAN HELP HAITI + get a recording!!

ok, so I'll be brief as we only have a little precious time left. You are all aware of the auction - and I'm sure a bulk of the tickets will be bought by Hollywood fat-asses and the price will be astronomical. We are trying to get a great taper in to buy a ticket and record a show (as they normally are :-) )))) -Formengr (and those of you who collect Radiohead DVDs do not need additional explanations as to who that is) came up with this brilliant idea (see below) the proceeds will all go to Oxfam whether we buy that damn ticket or get outbid at the end. But you can do a great thing and help the recording happen! Even if you are at the opposite end of the world.PAYPAL to formengr@gmail.comhere's the post on ateaseor copied belowOXFAM-HAITI RELIEF, GET HARDLYLURKIN INTO THE SHOWby: formengrToday, 09:55 AMPost #1it's any easy trip for me so i wish i could afford both the ticket and the time, but i cannot. like all of you, i'd love to hear this show, so here's the deal.hardlylurkin, a very qualified taper, is looking for assistance to get into the show. they're up to $375 now so i guess tix will end at $450 or better. i have a paypal account. donate what you will to the account. all proceeds go 1st to the ticket and if anything's remaining it goes to the oxfam for haiti fund (so all $$ end up w/oxfam). i am in for $20. if for whatever reason the ticket doesn't get purchased, all the proceeds still go to oxfam. i think this works out well for all. i think most folks know i can be trusted. hardlylurkin needs to respond to this post (and acknowledge to share the show) before i post the paypal account. auction's up in a few hours!edit: time's getting skinny for the ticket auction's end, so i'll jump ahead and say paypal to formengr@gmail.com. i'll post the tally as end of auction nears. if the $$ don;t go to the ticket, they go to oxfam.
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Radiohead for Haiti

Post no Dead Air Space"Just to clarify times for ticket salesAuction starts Thursday 21st January 08.00 pm PSTAuction ends Saturday 23rd January 11.00 am PSTWell, that's all clear now....xPhilipRadiohead for HaitiWe're doing a show this Sunday (24th January) to raise funds for the relief effort in Haiti. The venue is The Music Box Theatre at The Fonda in Los Angeles, doors at 7pm. All proceeds are going to the Oxfam Haiti relief fund. We're trying to raise as much money as possible, so tickets will be sold by auction at this site from 8pm tonight until 11am Saturday (PST):http://www.ticketmaster.com/event/09004434FC1C86ACWe're in the middle of recording at the moment, so you'll be catching us on the fly.... but if you're up for it, then we are too.See you thenxPhilip"Outra matériaRadiohead to play one-off gig this weekend (Jan 24) for Oxfam Haiti earthquake appeal Band are auctioning tickets for Los Angeles show

Radiohead have announced they will play a one-off gig for Oxfam's Haiti earthquake emergency response appeal this weekend.The band will auction tickets for the Los Angeles show at The Music Box Theatre At The Fonda which takes place on Sunday (January 24) night.The auction is taking place now at Ticketmaster, and runs until 11am (PST) tomorrow (January 23).Speaking about the one-off show, Radiohead declared: "We're in the middle of recording at the moment, so you'll be catching us on the fly, but if you're up for it, then we are too."Along with the gig the likes of Damon Albarn, Arctic Monkeys, Coldplay, Klaxons and the Glastonbury Festival have donated items to the auction.NMEJanuary 22, 2010http://www.nme.com/news/radiohead/49367
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[Via -- Dead Air Space]....Radiohead for HaitiWe're doing a show this Sunday (24th January) to raise funds for the relief effort in Haiti. The venue is The Music Box Theatre at The Fonda in Los Angeles, doors at 7pm. All proceeds are going to the Oxfam Haiti relief fund. We're trying to raise as much money as possible, so tickets will be sold by auction at this site from 8pm tonight until 11am Saturday (PST):http://www.ticketmaster.com/event/09004434FC1C86ACWe're in the middle of recording at the moment, so you'll be catching us on the fly.... but if you're up for it, then we are too.See you thenxPhilipUPDATE:Just to clarify times for ticket salesAuction starts Thursday 21st January 08.00 pm PSTAuction ends Saturday 23rd January 11.00 am PSTWell, that's all clear now....xPhilipIf you are from the LA area, there's no excuse for you all not to go, (including the weather!) Only wish I were from there. Btw if you haven't, please donate to help the people in Haiti.-SSA
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