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(Via -- Ateaseweb.com...)

Radiohead are making progress in the studio. The band started recording this past Winter and are currently in the studio working on the last bits. Ed O’Brien said it will be a matter of weeks till it’s finished and hopes to see the release before the end of this year. ‘It has got to. I hope so’

Guitarist Ed O’Brien was a guest on Adam Buxton’s show on BBC 6 Music today, saying he thinks the new Radiohead record ‘is the best record we’ve ever made’.

Ed: “We’re in the heart of the record. It’s genuinely exciting. It’s very different from what we did last time. It’s really nice to be doing this. It’s so good to be making music with the band that you feel is still as good as it’s ever been.”

When Adam Buxton asked if he had any idea when this record would see the light of day,

Ed answered: “No, Ideally it would be greatif it came out sometime this year. It has got to. I hope so. We’re at the finishing line. When you’re making a record, a film, write a book for ages and ages you think the finishing line is miles away. Now it feels it’s in touching distance. But of course, it being a creative process, at the last bit also, you have bursts of energy, you achieve a lot of things in a small period of time and then you’re nearly there…it might slow down. But yeah, hopefully it will be a matter of weeks.”

With ‘In Rainbows’ you seemed to have turned a corner and having a lot more fun. That’s what it looked like from the outside looking in. Is that fair?

Ed O’Brien: It wasn’t fun making the record. Making records has been hard. It’s always been a slog. Traditionally Radiohead in a studio has been: Don your tin helmet, just see it out, like a war of attrition. And basically at the end of In Rainbows it had taken three years to sort of come together. And we initially started off on our own, pulled in someone else and after a year we worked with Nigel [Godrich] again. It was such a slog. We knew we had these songs. We really believed in these songs. So, we had to do it right. It just took a long time. And we basically decided then and there at the end of that record: ‘We are never doing this again this way’. That was kind of like the end of Radiohead, mark 2. We decided, the only way that worked for us to carry on was to do it in a different spirit. Enjoy it.

On the recording process of ‘In Rainbows’ Ed continued explaining why it was much harder than everybody thought.

Ed: “We hear it all the time: ‘it sounds like you had a great time in the studio’. But, oh man… that [In Rainbows] was a slog. It was a really long process. At the end, for instance a song like ‘House Of Cards’ has been recorded six times. Plus the fact: we had this genius idea in 2006 to go on tour and do 50 odd shows, play all these songs, go back to studio and record them. And that’s when we went back in with Nigel. We went in and recorded them having played these songs 50 times. So we kind of got the arrangements sorted. We just wanted to get them down. We played these enough. And we got them down and most of them were rubbish. A lot of work in the creative process is rubbish.

However Ed praised producer Nigel Godrich for his influence on the band.

Ed:“The art is to not give in, to carry on, persevere. You just have to keep going. The great thing about Nigel is; he raises the bar. He drives you hard. You think you’ve done the take, you think you’ve done your overdub, you think it’s in there and then he says: ‘Maybe one more time’. He gets the best performances out of you. He’s amazing. Cause he also drives himself really hard as well. The quality of the stuff that he does is really high. So, it’s good to be driven hard.”


I'm excited!

-SSA

UPDATE: Listen to the interview here:

http://soundcloud.com/a952424/ed20-6-2010

Link:

http://www.ateaseweb.com/2010/06/20/new-radiohead-album-almost-finished-release-this-year/

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It was nothing but amazing, I still can't believe I was really there. Rumours had been around for ages since Thom always avoided answering any Glasto questions while touring with AfP, and the late slot (8.30) also indicated that something big was on the way. Still when I showed up at The Park (my favorite part of entire Glastonbury anyway!) saw the keyboard, the piano, and then Graham (Jonny's roadie) my mind had trouble processing what my eyes clearly saw. I think 'Oh my God, it's them, it's really them...' was the most coherent I could come up with, ask my friend Katrin about details (^_^).

I managed to shove myself up front and to second row and then asked the two lads in front of me if I could perhaps squeeze in. They didn't mind (bless them forever!) and so I was standing in the middle of front row, at Glastonbury, waiting for Radiohead.

Holy fuck.

And just when I thought it could not get any better, Mr Michael Eavis himself entered the stage, grinning like a child who is about to receive a great present and made the announcement for them!

Next thing Thom appeared with a grin almost eclipsing that of Michael Eavis, a ridiculous headband, rolled-up jeans and chunky Vans (I think?). How much 80s can you get? Joboxers meet Mark Knopfler...

The crowd went crazy, Thom did his silly wave routine, stepped over to the piano and launched into The Eraser. More songs from his solo album followed, during a quiet moment between songs I was sorely tempted to yell 'Where is Jonny?' but then didn't have the guts.

Shortly after Jonny did indeed show up, wearing some sort of Shardik t-shirt that the guys from British Sea Power would surely have been envious of and a grin matching that of Thom and Michael. Not slouching head-down over to his music fort but a waving openly and happily into the audience, who excitedly cheered his name again and again.

After that, pure magic. Arpeggi (one of my favorite songs of all), Pyramid Song, Idioteque, Karma Police, Street Spirit. The crowd kept chanting 'For a minute I lost myself' over and over and when Jonny had trouble getting his instruments together (apparently Graham had not expected Street Spirit but another song), Thom launched into the refrain again, together with the crowd.

Obviously, the set was way to short and everything was over way too quickly :-(. But it was a wonderful thing to witness, a glorious feeling to have been there.

There were loads of photographers in the gap, but they had to leave after the third song, so none of them got a picture of Jonny :-P. I took a few pictures, my camera is not really good and as usual I was too busy enjoying the show but if anyone wants to see them, check my Glasto foto album.


Edit: here's a shot from the stage including yours truly sandwiched between the aforementioned two generous guys with black and blue t-shirts... (^_^)

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Radiohead at Glasto

Well, how can I start this blog without sounding too...well... pissed off? We are at W.A.S.T.E. -CENTRAL. I am a Radiohead 'fan' and I hope all of you Radiohead band members, or at least one of you, will pay attention. Now, I have been following you people around regularly for a number of years. OK, here goes: Edimburgh 2006, Victoria Park 24-25 June 2008 (both nights) , Arras 2008, Leeds 2009 and also...Reading 2009 (yes I drove down from Leeds to Reading on the Sunday to get a double fix and no, I wasn't driving a Fiat but a Toyota Prius Hybrid so no guilt there!).

I am not an infatuated music lover nor a music geek. I am a mother of three, I am a teacher (of Italian, and so being Italian I know all about style and quality). I also know about genius and what I hear with RH is quite a lot of it and I get excited and dreamy and I sway and jump and dance and do things I normally don't do.

Now for the pissed off bit. Now, imagine how a 'fan' of yours (like me), might have felt when after spending an absolutely glorious first day at Glasto on Friday, she picked up the Guardian on Saturday to find, lo and behold, that the objects of her admiration and respect had been and gone, in one of the far away tents, the night before, to do a set which I expect was not seen by the people who really love them, but by whoever happened to be there....I mean is this fair? No, it is not I say!! And in a world far from fair, should we not try and make as many people as possible happy, because happiness generates happiness as we all know.

I know I am not the only one who felt this way...my friend Joe was gutted just to mention one! I mean, not even a hint in your blog?...Not a hint at Glasto on the day? Nothing!?!... (Biffy Clyro did distribute flags but who cares about them).

Well, I think personally it would be most gracious and hugely appreciated if you decided to do a gig for your 'fans' in the very near future. It need not be a big one, even just an acoustic like at Glasto, and, and, we are prepared to travel, say a venue in Oxford so you don't have to move too far.

That would be just MAGIC, just like Glasto really was this year!!!

Love you guys.

Paola
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Videos

http://http://www.waste-central.com/video/thm-jonny-at-glasto-2010

Pics

http://www.waste-central.com/photo/albums/secret-gig-glastonbury-2010

Michael Eavis, organizador de Glastonbury, presentó a Thom como la mayor sorpresa del festival/ Michael Eavis - manager of Glastonbury- present Thom - the best surprise of the festival !! -

Playlist

The Eraser

Harrowdown Hill

Black Swan

Cymbal Rush

WeirdFishes/Arpeggi

Pyramid Song

Idioteque

Karma Police

Street Spirit (Fade Out)

Audio

Phoner With Ed From Radiohead

http://www.bbc.co.uk/programmes/b006wknd

Thom Yorke supplied one of the defining moments of Glastonbury Festival 2010 so far with his secret show at the Park Stage. Thousands of people basked in the sunshine as the Radiohead man wowed fans with ‘The Eraser’ and ‘Black Swan’.

He was then joined onstage by Jonny Greenwood for ‘Idioteque’ before a joyous ‘Karma Police’ was sung by the crowd after the song finished. Ending with ‘Street Spirit (Fade Out)’ the special guests really lived up to their name. Now where are Coldplay?...

After Yorke’s classic Glastonbury moment, Fatboy Slim’s tradional Dance Village show failed to light up the reviews. Benni Banassi’s ‘Satisfaction’ and a mash-up of ‘The Rockafeller Skank’ with the Rolling Stones’ ‘(I Can’t Get No) Satisfaction’ left fans satisfied (sorry), but a ‘Eye Of The Tiger’ remix was just awful.

It’s with a heavy heart that we were dragged from Thom Yorke’s special appearance in The Park toward Hot Chip. And the departure from the squinty angel-voiced Yorke (and friends) unfortunately marred the impact of fun-boys Hot Chip. It’s not that there was anything particularly wrong with Chip’s appearance. It’s just that even with his sweetest, most falsetto’d poetry Alexis Taylor ccouldn't begin to reach Yorke’s heights - or depths. Especially with Alexis wearing a Pearly King style baseball cap which made him look like he was on day release from a cockney asylum.

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O cantor e compoitor Thom Yorke, líder da banda britânica Radiohead, faz apresentação surpresa durante a 40ª edição do festival Glastonbury, em Londres (Fotos: Reuters)

Cantor Thom Yorke e guitarrista Jonny Greenwood se apresentaram juntos.
Repertório incluiu 'Idioteque' e 'Karma police', entre outras.

O cantor Thom Yorke e o guitarrista Jonny Greenwood, ambos da banda britânica Radiohead, fizeram um show surpresa nesta sexta-feira (25), durante a 40ª edição do festival Glastonbury, em Londres. As informações são do site "Pitchfork".

Anunciados por Michael Eavis, organizador do festival, Yorke e Greenwood subiram ao palco Park Stage às 20h30, no horário local (16h30, horário de Brasília).

"Olá! Meu nome é Thomas Yorke", disse o cantor e compositor, antes de tocar algumas músicas de se álbum solo, ‘The Eraser’. Com Greenwood, cantou sucessos do Radiohead, como "Idioteque", "Karma police" e "Street spirit (Fade out)".

Veja o setlist do show:

"The eraser"
"Harrowdown hill"
"Black swan"
"Cymbal rush"
"Weird fishes/Arpeggi"
"Pyramid song"
"Idioteque"
"Karma police"
"Street spirit (Fade out)"

http://g1.globo.com/pop-arte/noticia/2010/06/integrantes-do-radiohead-fazem-show-surpresa-em-glastonbury.html

other news

http://www.nme.com/blog/index.php?blog=120&p=8653&title=how_radiohead_reduced_fans_to_tears_at_g&more=1&c=1

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So I`m new on this, so first I should say hello everyone out there, so I was thinking, really upset-lly, here in my country I`m tagged as en emo, a depresive shit guy, thing i`m not, just becuse of hearing melancolic music, but WTf can I do if I find beauty wherein people see sadness?
Is this bad or what?, I mean ithought that society predjudices were gone, mistook....
So weirdos are treated as shit, but shit is the society, shit is to be normal, common, usual.
Well if breaking statements and social boundaries is to be a freak, damn I`m a freak!
Hope someday people realizes how wrong is....
Peace out there
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O Radiohead revelou estar terminando de gravar o seu novo álbum de estúdio. A banda inglesa não conta detalhes sobre o trabalho, mas garante que ele está diferente dos seus discos anteriores.

Em entrevista à rádio "BBC6", o guitarrista Ed O'Brien defende o trabalho como a melhor coisa que o Radiohead já fez. "Fazer música com essa banda é tão bom quanto sempre foi", diz.

Segundo o site "NME", os ingleses podem estar envolvidos novamente com Nigel Godrich, produtor que já trabalhou com o Radiohead em seus álbuns anteriores.

O'Brien conta que o processo de gravação está nos estágios finais. "Se tudo der certo, será apenas questão de semanas".

O guitarrista não fala, no entanto, sobre os planos da banda para fazer o álbum chegar aos fãs. O último trabalho do Radiohead, "In Rainbows", foi lançado pela internet em outubro de 2007. O download de disco na íntegra podia ser feito mediante o pagamento de qualquer quantia, inclusive de graça.

http://www1.folha.uol.com.br/ilustrada/754336-radiohead-revela-que-lancara-novo-album-este-ano.shtml

A entrevista com mais detalhes, confira:

http://www.ateaseweb.com/2010/06/20/new-radiohead-album-almost-finished-release-this-year/

link pra ouvir a entrevista:

http://consequenceofsound.net/2010/06/20/ed-obrien-new-radiohead-album-may-be-out-sometime-this-year/

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the amazing band OXBOW + Marianne Faithfull

here's some tunes before bedtime:

OXBOW

check out their album ''Serenade in Red'' and ''An evil heat''(3 o'clock is my favorite songOxbow – 3 O'clock on spotify)

nikko wenner their guitarist is a great musician. arragements and compositions are really cool and unusual but have great feel and mouvement to them.

the last tune on serenade in red ''insane asylum'' features Marianne Faithfull, highly recommended!!!!!!

kushal

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Hey guys

I've been a Radiohead fan for several months now and found this site through radiohead.com. I keep on top of Radiohead news and music, and figured I should share it with the rest of the community.

Check out my my YouTube page, it has tons of Radiohead (and other alternative music - Green Day,Nirvana), including studio versions, official videos, live performances, mostly from these crazy Radioheadheads:
Zedetnik, Juni44ever, and RadioheadMusicable.

Thanks for checking out my blog!
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THE INFO PARADIGM

If humans' developed brains are a great cellar of information, what to do with all this info? all the memories and sentiments and impressions and colors and sounds? Well, does that make any difference at all? who knows?
The power of today is based on info. This is my point or the point I`m trying to make! INFO is the key and we have lots of it. Actually, we have more than we can endure or, even, store, maybe?!? We have so much info nowadays we don't even find use for all of it. We can't process all info at the same speed it is produced. Furthermore, we don't know what to do with so much information. The more info we have the worse our understanding of it becomes. Actually, it becomes meaningless. There is so much info we can't address any meaning to it!
Well, that is not completely true, right? Because, I know and you know that some info, they're just different! It is to be guarded and preserved, NOT SHARED. It is a privilege of some, not because it is special but because these people know what to do with it! It has a meaning to them. It probably is not a great secret or a secret at all. But, still you need to know what it is for, so that you can truly understand its meaning. It's a hierarchy of meaning.
Sociologists often observe the cruel distortions in the division of power amongst societies and have pointed out the obvious paradigm of the involvement of all parts in the society constitution and maintenance.
In order to establish a suitable model of society we have to understand it and participate in it. That implies learning about it, getting involved, and so on. But most people don't want to know everything about all things. They actually feel relieved if somebody could take care of some things for them. That's when protagonism takes over! A few dedicated interested individuals take lead of the situation and, suddenly, power arises.
For centuries, we, humans, have circled around this paradigm, the info. Power has been guided by privileged info.
in times of war -strategic, tactical, military info;
in times of production: inovation, technology, industrial info;
in times of capitalism, consumers, market, trends, capital info; and
in times of globalization, info is lossing its meaning.
Humans have evolved to become intellectuals with LOTS OF INFO but LITTLE INTELLIGENTZIA. The more info humans produce the more they realize they're unable to consume it all and thus most of it is unnecessary. OVERSHARING! Specific info is relevant, but not all info. We need to learn how to filter, screening. Or not!
Just to cite an example, let's take the the social network boom of the 21st century. Orkut, blogs, photologs, myspace, facebook, youtube and so on. Many of these spaces have become virtual info triggering devices for human kind. In these frameworks, people are sharing more than just info. In fact, the info they're sharing is one the least important part of the network. That is why one may find the most absurd declarations, grammar errors, trivial and personal information in these social network websites. Most people that subscribe to this social networks have no commitment with quality of info, reliability of the info, grammar reviews or anything. So, what's the point?
The truth is, this info doesn't matter. It makes no difference. ONE, because they're meant to be like this, just pointless remarks on the virtual web, a twit. And TWO, because most info that makes a difference is not accessible by the internet anyhow, it's not free for download!
Sorry to break it down for you like this, but for a good researcher info is really hard to find, reliable info especially. Sometimes, you need to go back in terms of technology and search for papers and people.
Still, I find it truly interesting how the society of today has found in the internet an outlet to get into the virtual globalized world. Maybe that is why it doesn't have any meaning!


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THIRTY-TWO

(in progress)
Fire engines. 5th grade. Today.
What is reality?
Why do you believe what you believe. is it because you believe you are supposed to believe it or because you believe it. or.
I spent some time in a white pile on a blue plate. it still lives in me.
Dependable/corruptible.
Skinny arms and bendy elbows. Studded gloves and hands on shoulders. smack bam twang. repeat. burrow. repeat. tire. resist. ache. ache. ache.
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