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dtrtrtr-yuytyry

https://public.flourish.studio/story/1160972/


https://public.flourish.studio/story/1160979/


https://public.flourish.studio/story/1160987/


https://public.flourish.studio/story/1160996/


https://public.flourish.studio/story/1161009/


https://public.flourish.studio/story/1161025/


https://public.flourish.studio/story/1161037/


https://public.flourish.studio/story/1161057/


https://public.flourish.studio/story/1161070/


https://public.flourish.studio/story/1161080/

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11011002884?profile=originalNell’epoca dove tante cose sembrano andate perse, e dove molti valori sembrano pian piano scomparsi, si trova spazio e l’ispirazione di far nascere una nuova canzone, con la quale si vuole comunicare i tanti disagi che il mondo attuale si appresta a vivere, le tante problematiche che spesso attanagliano l’essere umano, sempre preso da se stesso, e molto spesso distratto da tutte le cose che il mondo e la vita offrono. E' cosi che nasce “Crisi Esistenziale” il nuovo brano che dà il via al nuovo album di Savio De Martino, cantautore dalle mille risorse artistiche, un brano scritto dallo stesso Cantautore, sia per la parte letteraria, che per la parte musicale, un brano voluto, un testo ricercato, una canzone necessaria, una sorta di protesta, un modo di gridare e poter dire, BASTA !!! Questo stesso brano è stato anche proposto alla candidatura per le nuove proposte di Sanremo Giovani 2015, proprio perche’ i giovani possano valorizzare la propria vita e il futuro, trovando stimoli nuovi, trovando aiuto in chi ha potere, costruirsi un domani fatto di sogni da poter realizzare, Savio De Martino ancora una volta riesce a regalare nuove emozioni, il suo essere cosi poliedrico, rende questo artista, seppur giovane, capace di mettersi sempre in gioco e in discussione con vari generi musicali. Le sue tendenze variano dal Pop al Jazz, dal Blues alla buona Musica Leggera, in tanti anni di gavetta e di carriera è sempre riuscito a dire la sua, regalando al pubblico che lo segue con affetto e stima, tante emozioni e soprattutto tanta energia positiva. Lui innamorato della vita, innamorato della musica, e speranzoso che le cose e il mondo puo’ cambiare, una crisi cosi mondiale, dovrebbe far riflettere molte persone, e sensibilizzare chi ha il potere di essere a capo di tutto, ecco perché nasce questo nuovo brano per il 2015, dal titolo "Crisi Esistenziale". Genesi di Crisi Esistenziale di Savio De Martino Testo, Musica e Produzione sono di Savio De Martino attraverso la S.D.M. Production, la distribuzione avviene grazie alla Zeus Record S.R.L., gli arrangiamenti sono di Giuseppe Balsamo e Savio De Martino, le riprese video di “Pino Baylon Video” e la registazione e mixaggio sono stati effettuati presso lo studio SG SOUND MUSIC ITALY di Savio De Martino. Il video è già disponibile su YouTube. https://www.youtube.com/watch?v=4KtiM12NA5I

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Radiohead Breaking News as of October 14th

I can't wait.

From : "Consequenceofsound.net"

"Like an itchy character in a Stephen King novel, Thom Yorke keeps coming back. This time, he spoke with Rolling Stone, where he laid one bombshell piece of news: Radiohead will record in December and January.

“We can get things together quite rapidly at the moment,” Yorke said, name dropping a new track titled “Come to Your Senses”. “We have this version of it. It’s a five-minute rehearsal, but it has the essence of what we need.” He stated they have a “few of those”, and added, “It would be fun to have them ready when we go to play next year. I don’t know how we would release them. It would be nice to make it all part of the flow and just enjoy it – not think about it too much.”

Speaking of touring, Yorke explained that putting the The King of Limbs material on-stage was harder than they imagined. He digressed on working with additional drummer Clive Deamer, adding: “In ‘Bloom,’ when Clive goes from the electro pads to the live kit, and my guitar shoots up an octave, I’m like, ‘Wow!’ When we came up with that, it was like, ‘OK, we got it.’” Deamer is a crucial key in bringing Limbs‘ lush recordings to life, but also one of the reasons the band hasn’t toured yet, due to his commitments with Portishead. As Radiohead’s manager Chris Hufford explained, “He wasn’t available and it’s why we couldn’t go out on tour until next year.”

On the topic of Atoms for Peace, Yorke insisted that there will be an LP before the end of the year, though he also added, “It’s not good enough yet.” The magazine reached Nigel Godrich for comment, who reiterated, “The idea was to generate the music, then record the band. We did that. Some of it worked. We also went back to some of the electronic stuff. It’s still in flux. We’re waiting for the lightning bolt to strike.”

So to recap: Radiohead will record in two months, Radiohead will tour next year, and Atoms for Peace will put out a record. Okay, now are you happy?"

~http://consequenceofsound.net/2011/10/radiohead-to-record-new-material-this-winter/

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Unreality Television

I was told, take him round the back and deal with him. I mean, there’s no ambiguity in that, is there? Everybody knows what that means. He knew what it meant. He didn’t struggle, didn’t plead. He was meek as a lamb. Hurrying almost, as if he couldn’t wait for it to be over. He was leading me. All I could think about was how tight the cord was on his wrists, that it must really hurt, that his hands were turning white. It was my first day, you know? I wasn’t gonna go making a scene. I mean, this is what we signed up for. Really.

Funny, though, cos I saw him a week later on Al Jazeera. Somebody must have moved him, cos he was face down when I left him. Seeing him on TV helped, actually. Made it more unreal. Anyway, I’d already quit by then.

 

 

For more flash fiction, and other things ... click here

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HI EVERYONE!

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I'D LIKE YOU CHECK DAS (RADIOHEAD OFFICIAL SITE) BECAUSE THERE ARE CHANGES AND NEWS!  



WWW.RADIOHEAD.COM

 

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TAKE ATTENTION FOR THE RADIOHEAD BEAR SYMBOL THAT LOOKS BE ALIVE AND WITH HIS EYES YELLOW AND RED BRIGHTING!!!

 

IT CAN BE MAYBE SIGN THAT THE NEW ALBUM IS REALLY FINISHED AND THE RELEASE IS NEXT UP!

 

I FEEL REALLY THAT IT CAN HAPPEN IN SOME NEXT MOMENT ON THIS MONTH YET!
I CAN'T WAIT IT!


ED POSTED A NICE, INTERESTING COMMENT ON THE LAST TUESDAY 8TH, ON DAS ABOUT FIGHTS IN EGYPT, FACEBOOK, TWITTER, AND WISHING WELL DONE FOR THESE PEOPLE!


IT WAS VERY KIND HIM!ED IS VERY AMAZING, COOL, A GENTLEMAN AS ALWAYS!

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THOUGTH THAT ED POSTING SOMETHING ON DAS IS SIGN IT'S ALL RIGHT!

HE IS VERY CHEERFUL, HAPPY TOO AND SO I THINKING RADIOHEAD ARE TOGETHER AT THIS MOMENT, AND THE NEW ALBUM IS FINISHED, FINALLY!

RADIOHEAD IS ALWAYS AN ENIGMA, SURPRISING SURPRISE AND MAKING BRIGHT OUR LIVES FOREVER!!!

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LOVE THESE GUYS!

 

THANKS FOR ALL!


GOOD LUCK, GOOD WORK!

 

WISHING MY BEST WISHES FOR THE GUYS AND ALL YOU!


HVE A GREAT WEEKEND EVERYONE!


natercia(PLANET ED O' BRIEN) 



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Huge 'ghost' ring discovered around Saturn


Spitzer Space Telescope reveals a supersized dust belt.
Michelle Grayson
Saturn's ring system has just got a lot larger, with the discovery of a faint ring that stretches out millions of kilometres into space.
But this new ring, which follows the orbit of one of Saturn's moons, Phoebe, is unlike any of the other rings that are closer to the planet: as well as being much thicker and wider, it is tilted from the plane of the other rings.
Saturn's rings were first described by astronomer and mathematician Christiaan Huygens in 1655. Since then, astronomers have discovered more details about the number of rings in the system and their composition, aided recently by NASA's Cassini–Huygens mission. It was thought that the farthest ring from Saturn — until now the largest known ring in the Solar System — was the E ring, which stretches from a distance of 3 Rs (where Rs is the radius of Saturn, equal to 60,330 kilometres) to 8 Rs, and is fed by active geysers on Saturn's icy moon Enceladus.
However, this new ring dwarfs all the others, extending from approximately 128 Rs to 207 Rs with a vertical thickness of 40 Rs. "It is an analogue of the 'tiny' rings around Saturn, but on an immense scale," says Michael Skrutskie of the University of Virginia in Charlottesville, and one of the paper's authors1. "It is also a very tenuous ring, with an optical depth of only 2 x 10–8. That is the equivalent of 20 grains of material per cubic kilometre."
Cryogenic clues
The extremely sparse nature of the ring means that it reflects very little light and is practically invisible, which is why it has previously escaped detection. Its existence was proposed based on the discovery of other satellite-associated rings — such as the Janus–Epimetheus Ring around Saturn detected in 2006 — which are formed from material ejected from planetary satellites following an impact.
"This was something that was not suspected before the Cassini mission," says Carl Murray, from the astronomy unit at Queen Mary, University of London, and a member of the Cassini imaging team. "We have since come to the conclusion that the origins of many of Saturn's inner rings are its satellites. Of course, these are very optically-thin rings and nothing like the spectacular rings we normally associate with Saturn."
The new 'Phoebe Ring' describes the outer boundaries of Phoebe's orbit, and is at an angle of 27° with respect to the other rings. Phoebe travels in the opposite direction to most of the planet's other moons. The ring was detected by thermal emission using the Spitzer Space Telescope's Multiband Imaging Photometer, which uses a cryogenic system to enable it to see such weak infrared signals. Skrutskie and his team confirmed their observations with images from the Spitzer archive.
And in a bonus discovery, the team think they may also have solved an astronomical mystery. One hemisphere of Iapetus, the next moon in from Phoebe, is much darker in colour than the other half — an observation that astronomers have never fully explained. The team now believes that the Phoebe Ring could be the missing source of the darker material, as well as being responsible for reddish deposits on Hyperion, another Saturnian moon. However, the team has not yet managed to accurately determine the ring's structure or composition to confirm this hypothesis: "Now that Spitzer has exhausted its cryogen, we cannot make any more observations that way," Skrutskie explains.
Further observations of the Phoebe Ring will have to wait until the infrared-optimized James Webb Space Telescope is operational following its launch in 2014. Until then, there will almost inevitably be more surprises from Saturn, Murray predicts. "I doubt this ring could have been seen with Cassini; it shows how important it is to have different instruments working towards the same goal."
This news from here "NATURE"
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Yes folks, this is the news we all await for and it is now a reality. Be excited... Be very excited.

Best news ever!!... [Via--Ateaseweb.com]There’s been a lot of speculation on Radiohead’s next album. Would it ever be recorded? Or would be just get digital tracks, EP’s or whatever made the press. Ed O’Brien confirmed that a new Radiohead album (yes, album) is in the making.It was the interview in The Believer that kick-started a lot of rumours on Radiohead’s future. Thom Yorke told the magazine: “None of us want to go into that creative hoo-ha of a long-play record again.(…) But we’ve all said that we can’t possibly dive into that again. It’ll kill us.” The news hit the press worldwide.Radiohead have spent this Summer in the studio, releasing tracks online like ‘Harry Patch (In Memory Of)’ and ‘These Are My Twisted Words’. This sort of seemed like they were serious about not releasing albums in the future. But guitarist Ed O’Brien has confirmed that the band is in fact interested in recording more albums and the follow-up to ‘In Rainbows’ is actually in the making.Ed O’Brien told NME that with sessions planned this winter the band would “definitely” be releasing a full album physically next year. “We were misquoted,” claimed O’Brien of Yorke’s comments, loudly adding, “WE WILL BE MAKING AN ALBUM!” Although he said the band hadn’t decided how it would be released, he said the album would come out on vinyl and CD whether it first arrived as a download or not.“We love the artwork; that’s really important, the physicality,” he explanied. “And we all like vinyl. That’s not going to go away. I still like CDs as well. I got the Speech Debelle CD the other day – I nearly downloaded it from iTunes but I thought, ‘No. I want the physical thing.’”O’Brien wouldn’t be drawn on specific tracks, but suggested that recent free download ‘There Are My Twisted Words’ was not a marker for the album.On releasing ‘These Are My Twisted Words’ online he said: “It’s a kind of one-off. It could have been a darker side of ‘In Rainbows’ – it’s got that autumnal vibe, we’re leaving the summer and going into the darkness.”He added that with Radiohead set to reconvene in their Oxfordshire studio this winter, the season might similarly affect the new songs. “Typical Radiohead,” he laughed. “We’re going into the studio in winter. It’s always miserable! Are we at the whim of the seasons? We are! When you’re in a studio in the countryside, the music you make is definitely affected by what season it is.”
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"Sadness falls upon the land..."

In a lengthy interview in the latest issue of The Believer magazine, Thom Yorke has revealed that we'll probably be waiting quite a long time for the next proper Radiohead album. We're more likely to get some EPs or singles or one-off musical releases (perhaps like "Harry Patch [In Memory Of]"?) in the near future."None of us want to go into that creative hoo-ha of a long-play record again. Not straight off," Yorke said. "I mean, it's just become a real drag. It worked with In Rainbows because we had a real fixed idea about where we were going. But we've all said that we can't possibly dive into that again. It'll kill us."He clarified that Radiohead doesn't inherently hate the concept of the full-length. He said, "I mean, obviously, there's still something great about the album. It's just, for us, right now, we need to get away from it a bit." Later, he added, "In Rainbows was a particular aesthetic and I can't bear the idea of doing that again. Not that it's not good, I just can't... bear... that."One kind of Radiohead-related music that might materialize? Orchestral works. As Yorke told The Believer, "Jonny [Greenwood] and I have talked about sitting down and writing songs for orchestra and orchestrating it fully and just doing it like that and then doing a live take of it and that's it - finished. We've always wanted to do it, but we've never done it because, I think the reason is, we're always taking songs that haven't been written for that, and then trying to adapt them. That's one possible EP because, with things like that, you think, Do you want to do a whole record like that? Or do you just want to get stuck into it for a bit and see how it feels?"The entire interview is well worth reading, with Yorke celebrating the death of the CD and the downfall of the music industry as we know it, reflecting on the difficulty of environmentally-friendly touring and music releasing, and musing on the state of Radiohead in general. There's also this wonderful exchange:The Believer: Do you feel like there's any definitive sound that you've been solidifying over your career?Thom Yorke: I fucking hope not.Here is part of the interview:THE BELIEVER: In some ways, the way Internet singles work is close to the way things used to be with the music industry in the ’50s, before full-lengths were the thing, and radio singles were what defined artists.THOM YORKE: Right, and if you forget about the money issue for just a minute, if it’s possible to do that—because these are people’s livelihoods we’re talking about—and you look at it in terms of the most amazing broadcasting network ever built, then it’s completely different. In some ways, that’s the best way of looking at it. I mean, I don’t spend my fucking life downloading free MP3s, because I hate the websites. No one seems to know what they’re talking about. I’d much rather go to sites like Boomkat, where people know what they’re talking about.BLVR: Boomkat is great.TY: It’s brilliant. To me, that’s a business model. It’s like when I used to go to music shops in Oxford. You’re looking at this and you’re looking at that and there’s a whole line of other things going down the side saying, “You’ll probably like this,” and “You might like this.”BLVR: I love those stores where everything’s hand-selected and the clerks write little descriptions about the music.TY: Yeah, and you can listen to it all. I mean, Boomkat is very specific with the type of stuff they flog there, but I can’t see why that wouldn’t work for all music.Source: The Believer MagazineHere's a bit more of that same interview:[Believer]: Do you think [the In Rainbows pay-as-you-will method] worked?[Yorke]: Oh, yeah. It worked on two or three different levels. The first level is just sort of getting a point across that we wanted to get across about music being valuable. It also worked as a way of using the Internet to promote your record, without having to use iTunes or Google or whatever. You rely on the fact that you know a lot of people want to hear it. You don’t want to have to go to the radio first and go through all that bullshit about what’s the first single. You don’t want to have to go to the press. That was my thing, like, I am NOT giving it to the press two months early so they can tear it to shreds and destroy it for people before they’ve even heard it. And it worked on that level. And it also worked financially.[Believer]: Do you think this method would work for other bands who aren’t as known as Radiohead?[Yorke]: With the press, we’re in a lucky position where we don’t really have to rely on a reviewer’s opinion, so why would we let that get in the way? If people want to play it for themselves, why don’t we just give it to them to listen to? I just don’t want to have to read about it first.[Believer]: And that style of release definitely promotes the album as a work of art, rather than a bunch of singles floating around the Internet.[Yorke]: Oh, that’s interesting. I appreciate that. Unfortunately, a lot of people got the album in the wrong order.[Believer]: What about the idea of an album as a musical form? You think that the format is still worthwhile amid iPod shuffling?[Yorke]: I’m not very interested in the album at the moment.[Believer]: I’ve heard you talk a lot about singles and EPs. Is that what you’ve been moving toward?[Yorke]: I’ve got this running joke: Mr. Tanaka runs this magazine in Japan. He always says to me, “EPs next time?” And I say yes and go off on one, and he says, “Bullshit.” [Laughs] But I think really, this time, it could work. It’s part of the physical-release plan I was talking about earlier. None of us want to go into that creative hoo-ha of a long-play record again. Not straight off. I mean, it’s just become a real drag. It worked with In Rainbows because we had a real fixed idea about where we were going. But we’ve all said that we can’t possibly dive into that again. It’ll kill us.
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Michael Jackson (1958 - 2009) R.I.P.From Los Angeles Times:[Updated at 3:15 p.m.: Pop star Michael Jackson was pronounced dead by doctors this afternoon after arriving at a hospital in a deep coma, city and law enforcement sources told The Times.][Updated at 2:46 p.m.: Jackson is in a coma and his family is arriving at his bedside, a law enforcement source told The Times.Jackson was rushed to Ronald Reagan UCLA Medical Center this afternoon by Los Angeles Fire Department paramedics.Fire Capt. Steve Ruda said paramedics responded to a call at Jackson's home at 12:26 p.m. He was not breathing when they arrived. The paramedics performed cardiopulmonary resuscitation and took him to the hospital, Ruda told The Times.[Updated at 2:12 p.m.: Paramedics were called to a home in the 100 block of Carolwood Drive off Sunset Boulevard. Jackson had rented the Bel-Air home for $100,000 a month. It was described as a French chateau estate built in 2002 with seven bedrooms, 13 bathrooms, 12 fireplaces and a theater.The home is about 2 1/2 miles, about a six-minute drive, from UCLA Medical Center. An earlier version of this post incorrectly described the time to travel between the home and hospital as two minutes.]The news comes as Jackson, 50, was attempting a comeback after years of tabloid headlines, most notably his trial and acquittal on child molestation charges.In May, The Times reported that Jackson had rented the Bel-Air residence and was rehearsing for a series of 50 sold-out shows in London's O2 Arena. Jackson had won the backing of two billionaires to get the so-called "King of Pop" back on stage.His backers envision the shows at AEG's O2 as an audition for a career rebirth that could ultimately encompass a three-year world tour, a new album, movies, a Graceland-like museum, musical revues in Las Vegas and Macau, and even a "Thriller" casino. Such a rebound could wipe out Jackson's massive debt.—Andrew Blankstein and Phil Willon
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