Posted by SubSickAlien on October 7, 2009 at 10:30pm
Yes folks, this is the news we all await for and it is now a reality. Be excited... Be very excited.Best news ever!!... [Via--Ateaseweb.com]There’s been a lot of speculation on Radiohead’s next album. Would it ever be recorded? Or would be just get digital tracks, EP’s or whatever made the press. Ed O’Brien confirmed that a new Radiohead album (yes, album) is in the making.It was the interview in The Believer that kick-started a lot of rumours on Radiohead’s future. Thom Yorke told the magazine: “None of us want to go into that creative hoo-ha of a long-play record again.(…) But we’ve all said that we can’t possibly dive into that again. It’ll kill us.” The news hit the press worldwide.Radiohead have spent this Summer in the studio, releasing tracks online like ‘Harry Patch (In Memory Of)’ and ‘These Are My Twisted Words’. This sort of seemed like they were serious about not releasing albums in the future. But guitarist Ed O’Brien has confirmed that the band is in fact interested in recording more albums and the follow-up to ‘In Rainbows’ is actually in the making.Ed O’Brien told NME that with sessions planned this winter the band would “definitely” be releasing a full album physically next year. “We were misquoted,” claimed O’Brien of Yorke’s comments, loudly adding, “WE WILL BE MAKING AN ALBUM!” Although he said the band hadn’t decided how it would be released, he said the album would come out on vinyl and CD whether it first arrived as a download or not.“We love the artwork; that’s really important, the physicality,” he explanied. “And we all like vinyl. That’s not going to go away. I still like CDs as well. I got the Speech Debelle CD the other day – I nearly downloaded it from iTunes but I thought, ‘No. I want the physical thing.’”O’Brien wouldn’t be drawn on specific tracks, but suggested that recent free download ‘There Are My Twisted Words’ was not a marker for the album.On releasing ‘These Are My Twisted Words’ online he said: “It’s a kind of one-off. It could have been a darker side of ‘In Rainbows’ – it’s got that autumnal vibe, we’re leaving the summer and going into the darkness.”He added that with Radiohead set to reconvene in their Oxfordshire studio this winter, the season might similarly affect the new songs. “Typical Radiohead,” he laughed. “We’re going into the studio in winter. It’s always miserable! Are we at the whim of the seasons? We are! When you’re in a studio in the countryside, the music you make is definitely affected by what season it is.”Read more…
Posted by SubSickAlien on August 8, 2009 at 5:00pm
"Sadness falls upon the land..."In a lengthy interview in the latest issue of The Believer magazine, Thom Yorke has revealed that we'll probably be waiting quite a long time for the next proper Radiohead album. We're more likely to get some EPs or singles or one-off musical releases (perhaps like "Harry Patch [In Memory Of]"?) in the near future."None of us want to go into that creative hoo-ha of a long-play record again. Not straight off," Yorke said. "I mean, it's just become a real drag. It worked with In Rainbows because we had a real fixed idea about where we were going. But we've all said that we can't possibly dive into that again. It'll kill us."He clarified that Radiohead doesn't inherently hate the concept of the full-length. He said, "I mean, obviously, there's still something great about the album. It's just, for us, right now, we need to get away from it a bit." Later, he added, "In Rainbows was a particular aesthetic and I can't bear the idea of doing that again. Not that it's not good, I just can't... bear... that."One kind of Radiohead-related music that might materialize? Orchestral works. As Yorke told The Believer, "Jonny [Greenwood] and I have talked about sitting down and writing songs for orchestra and orchestrating it fully and just doing it like that and then doing a live take of it and that's it - finished. We've always wanted to do it, but we've never done it because, I think the reason is, we're always taking songs that haven't been written for that, and then trying to adapt them. That's one possible EP because, with things like that, you think, Do you want to do a whole record like that? Or do you just want to get stuck into it for a bit and see how it feels?"The entire interview is well worth reading, with Yorke celebrating the death of the CD and the downfall of the music industry as we know it, reflecting on the difficulty of environmentally-friendly touring and music releasing, and musing on the state of Radiohead in general. There's also this wonderful exchange:The Believer: Do you feel like there's any definitive sound that you've been solidifying over your career?Thom Yorke: I fucking hope not.Here is part of the interview:THE BELIEVER: In some ways, the way Internet singles work is close to the way things used to be with the music industry in the ’50s, before full-lengths were the thing, and radio singles were what defined artists.THOM YORKE: Right, and if you forget about the money issue for just a minute, if it’s possible to do that—because these are people’s livelihoods we’re talking about—and you look at it in terms of the most amazing broadcasting network ever built, then it’s completely different. In some ways, that’s the best way of looking at it. I mean, I don’t spend my fucking life downloading free MP3s, because I hate the websites. No one seems to know what they’re talking about. I’d much rather go to sites like Boomkat, where people know what they’re talking about.BLVR: Boomkat is great.TY: It’s brilliant. To me, that’s a business model. It’s like when I used to go to music shops in Oxford. You’re looking at this and you’re looking at that and there’s a whole line of other things going down the side saying, “You’ll probably like this,” and “You might like this.”BLVR: I love those stores where everything’s hand-selected and the clerks write little descriptions about the music.TY: Yeah, and you can listen to it all. I mean, Boomkat is very specific with the type of stuff they flog there, but I can’t see why that wouldn’t work for all music.Source: The Believer MagazineHere's a bit more of that same interview:[Believer]: Do you think [the In Rainbows pay-as-you-will method] worked?[Yorke]: Oh, yeah. It worked on two or three different levels. The first level is just sort of getting a point across that we wanted to get across about music being valuable. It also worked as a way of using the Internet to promote your record, without having to use iTunes or Google or whatever. You rely on the fact that you know a lot of people want to hear it. You don’t want to have to go to the radio first and go through all that bullshit about what’s the first single. You don’t want to have to go to the press. That was my thing, like, I am NOT giving it to the press two months early so they can tear it to shreds and destroy it for people before they’ve even heard it. And it worked on that level. And it also worked financially.[Believer]: Do you think this method would work for other bands who aren’t as known as Radiohead?[Yorke]: With the press, we’re in a lucky position where we don’t really have to rely on a reviewer’s opinion, so why would we let that get in the way? If people want to play it for themselves, why don’t we just give it to them to listen to? I just don’t want to have to read about it first.[Believer]: And that style of release definitely promotes the album as a work of art, rather than a bunch of singles floating around the Internet.[Yorke]: Oh, that’s interesting. I appreciate that. Unfortunately, a lot of people got the album in the wrong order.[Believer]: What about the idea of an album as a musical form? You think that the format is still worthwhile amid iPod shuffling?[Yorke]: I’m not very interested in the album at the moment.[Believer]: I’ve heard you talk a lot about singles and EPs. Is that what you’ve been moving toward?[Yorke]: I’ve got this running joke: Mr. Tanaka runs this magazine in Japan. He always says to me, “EPs next time?” And I say yes and go off on one, and he says, “Bullshit.” [Laughs] But I think really, this time, it could work. It’s part of the physical-release plan I was talking about earlier. None of us want to go into that creative hoo-ha of a long-play record again. Not straight off. I mean, it’s just become a real drag. It worked with In Rainbows because we had a real fixed idea about where we were going. But we’ve all said that we can’t possibly dive into that again. It’ll kill us.
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Posted by SubSickAlien on June 25, 2009 at 11:41pm
Michael Jackson (1958 - 2009) R.I.P.From Los Angeles Times:[Updated at 3:15 p.m.: Pop star Michael Jackson was pronounced dead by doctors this afternoon after arriving at a hospital in a deep coma, city and law enforcement sources told The Times.][Updated at 2:46 p.m.: Jackson is in a coma and his family is arriving at his bedside, a law enforcement source told The Times.Jackson was rushed to Ronald Reagan UCLA Medical Center this afternoon by Los Angeles Fire Department paramedics.Fire Capt. Steve Ruda said paramedics responded to a call at Jackson's home at 12:26 p.m. He was not breathing when they arrived. The paramedics performed cardiopulmonary resuscitation and took him to the hospital, Ruda told The Times.[Updated at 2:12 p.m.: Paramedics were called to a home in the 100 block of Carolwood Drive off Sunset Boulevard. Jackson had rented the Bel-Air home for $100,000 a month. It was described as a French chateau estate built in 2002 with seven bedrooms, 13 bathrooms, 12 fireplaces and a theater.The home is about 2 1/2 miles, about a six-minute drive, from UCLA Medical Center. An earlier version of this post incorrectly described the time to travel between the home and hospital as two minutes.]The news comes as Jackson, 50, was attempting a comeback after years of tabloid headlines, most notably his trial and acquittal on child molestation charges.In May, The Times reported that Jackson had rented the Bel-Air residence and was rehearsing for a series of 50 sold-out shows in London's O2 Arena. Jackson had won the backing of two billionaires to get the so-called "King of Pop" back on stage.His backers envision the shows at AEG's O2 as an audition for a career rebirth that could ultimately encompass a three-year world tour, a new album, movies, a Graceland-like museum, musical revues in Las Vegas and Macau, and even a "Thriller" casino. Such a rebound could wipe out Jackson's massive debt.—Andrew Blankstein and Phil Willon
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