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Crazy

I am crazy or so it seems

for loving you in my dreams

your bitter touch

my bitter tongue

leaves me tangled in the sheets

I am crazy or so it seems

for loving you in my dreams

sweet serenade

by the stream

as I fall asleep in your heart

When you come to call me

I hold nothing back baby

Like Santa Clause and his big red sack

there is nothing we two lack

I fell from heaven

to be swallowed by you

now loving you is all I do

I am crazy or so it seems

for loving you in my dreams

 

and all I hope

and all I pray

is to be with you one

fate-ful

day.

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Ash Wednesday

I lost a battle

Ash Wednesday

Its our Catch-22 baby

Com fort me

Com fort me

I am your wife in this mystery

Who's after Colonel Mustard

pet parakeet

Com fort me

Com fort me

baby

thread the needle

thread the needle

maybe

Be my mister sir

I'll wear socks with garters

and cause your slur

Be my baby

Be my Baby

Be my Baby

please

I lost a battle

Ash Wednesday

Its our Catch-22 baby

to be with you

I know its true

don't hate me

its our Catch-22 baby

thread the needle

thread the needle

maybe

its our very tells

that reveal ourselves

like static in a phone booth

I feed secrets to you

Com fort me

Com fort me

baby

its our Catch-22 maybe

thread the needle

thread the needle

don't hate me

I love you toto

Dorothy needs her mojo

I lost a battle

Ash Wednesday

I lost a battle

Ash Wednesday

Baby

I love you

Baby

I am yours

Baby

Stay with my awhile and lick the ash from my brow.

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Dear Thom

The year in solitude I spent without you ended with my mouth full of dick for a little bit of weed.  Like a hero on a white horse you came back and I told my psychiatrist I was a psychopath.  I am sick Thom, you must understand and through this malaise I have forgotten how to love you back.  When you touched my heart it felt like the black sun shined and flared brilliantly with red.  Red was once my favorite color, because it begins with R.  Perhaps, there is something poetic to that.  My logical depression anchors my soul.  But I have been told that you are a sweetheart.  I never realized before.  I am such a hateful guttersnipe.  I am weathered by the abuse I have born to allow.  And through your eyes I see it clearly now as abuse.  I must have low self-esteem but I am not lacking in ego.  I am grown but I feel like a child.  I know it bothers you but I want to slit my wrists and dissolve in blood.  I want to disappear in the bathtub.  I cry but it is never enough.  There is a roiling storm inside me and the lightning cannot crack and the thunder doesn't roll.  The clouds just roll upon themselves over and over in waves waiting for the moment when all this tension can be released.  Making love is the only easement and still it overwhelms me.  I got your ring on my finger tattooed.  I primarily wanted to alter that fucking tattoo a third time to be the truth.  But now I am uncertain.  Am I a fool?  To fall in love with you is a decapitating move.  Call me the chicken.  I know it will never happen but one day I would like to rub my face in your chest and smell you.  Please don't hurt me Thom.  I am sad and lonely for a lover.  And I would be yours if only it could become reality.  Thank you and good night.

Love,

Rhael

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http://www.filmsforaction.org/watch/i_met_the_walrus/

In 1969, a 14-year-old Beatle fanatic named Jerry Levitan, armed with a reel-to-reel tape deck, snuck into John Lennon's hotel room in Toronto and convinced John to do an interview about peace. 38 years later, Jerry has produced a film about it. Using the original interview recording as the soundtrack, director Josh Raskin has woven a visual narrative which tenderly romances Lennon's every word in a cascading flood of multipronged animation. Raskin marries the terrifyingly genius pen work of James Braithwaite with masterful digital illustration by Alex Kurina, resulting in a spell-binding vessel for Lennon's boundless wit, and timeless message.

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B-MOVIE: LUST & SOUND IN WEST BERLIN is a documentary about music, art and chaos in the Wild West Berlin of the 1980s. Video : https://vimeo.com/116847987

World-premiere at the Berlinale 2015
b-movie-der-film.de
facebook.com/lustandsoundinwestberlin

The walled-in city which became the creative melting pot for a special kind of sub and pop culture, attracting ingenious dilettantes and world famous celebrities alike. However, before the iron curtain would fall, artists and communards, squatters and hedonists of all kinds would enjoy Berlins unconventional lifestyle. It was not about long-term commercial success, but about living for the moment - the kick - the here and now. 
With mostly unreleased TV and film footage, photos and original interviews, B-MOVIE tells the story of life in the divided city, a cultural interzone in which everything and anything seemed possible in a place unlike anywhere else in Europe. It’s a fast-paced collage of stories from a frenzied but creative decade, starting with punk and ending with the Love Parade, all from a city where the days are short and the nights are endless. This is a time when Berlin was like a B-MOVIE: Colourfully cheap and trashy, threatened and thrown together, anxious and ambitious, clubbed and caned, stoned and strung out, drunk, drugged and - just very special.

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A Number One Hit: Coworking for Musicians

Since it's peak in 1999, the music industry has changed drastically, leaving many professional musicians alone to fend for themselves. Musicians, old and young, are now reliant on digital platforms like YouTube, Bandcamp and Soundcloud, to promote their music. When it comes to raising funds to record an album, or go on tour, many people turn to crowdfunding. Yet as innovative and successful we have seen crowd-sourcing to be, it is also over saturated with projects and people looking to fund their ideas. In order to compete with the millions of artists using online platforms, a supportive community might be the key to success.

Founder Angel Kwiatkowski and community connector Julie Sutter ofCohere Coworking in Fort Collins, Colorado spoke with Deskmag about the latest addition to their coworking community: Cohere Bandwidth-a coworking space for musicians. The Cohere team has spent the past year and a half building a community, rasing funds, and hitting the streets to find out what musicians would want if given their very own coworking space. With two established general coworking spaces, Cohere Bandwidth will become an integral part of the exsisting Cohere community. The new space will be located in a recently closed Drum & Percussion store, which will also be shared by The Downtown Artery, a likeminded creative space for working artists. 

Cohere: A Space for Musicians

The inspiration to launch Cohere Coworking came from the desire to give a happy ending to a sad story. Last year on Christmas Eve, friends of Julie and Angel, Wire Faces & Fierce Bad Rabbit, were robbed of over $20,000 of eqipment from their shared storage space/rehearsal room. “That one incident was the catalyst to make a change in our city to provide them with safe, affordable space to create amazing music,” explains Angel.

While Cohere Bandwidth for musicians does fit into the niche category of coworking, Julie and Angel also stress the importance of their newest space becoming a part of the greater coworking community. “It's important for everyone who is joining any of the spaces to know that they will exist inside the larger Cohere community and not just their individual space,” said Angel. Although there are certainly differences between the specific spaces, nuances are mostly found within the tools and amenities offered. “The biggest physical space difference has to do with soundproofing, said Julie, "but other than that, its just stuff like 'wireless mouse or effects pedal'.”

Building a Community

Over the past 17 months, the Cohere team hit the streets to do some fieldwork. “We deployed a survey, attended band rehearsals in garages and living rooms, held focus groups and kept in constant communication with our local musicians, said Angel. “We want to make sure that the container that we build is the most useful one and serves all of their primary needs.” Working continually with their target group of workers, Julie also explained that they combined crowd-sourcing to raise some of the rent money that will be required to open Cohere Bandwidth.

“We've made a great leap,” said Angel. “Our future landlord has agreed to not only pay for a large portion of the electrical, plumbing and HVAC infrastructure but they are also willing to pay for the construction of the rooms so Cohere Bandwidth doesn't have to do any additional fundraising to get off the ground.” Julie also added that the work put into community building has resulted in some essential partnerships. “We’re partnering with Downtown Artery, a local collaborative art gallery and studio/music venue/shared event space, which will make for a larger and more creative community."

Through a combination of hands-on research, and meeting with contractors and experts, the Cohere team learned about the specific needs of the community, like soundproofing (essential for a musical coworking space).

Benefits musicians can get from Coworking

Shared rehearsal space is nothing new for musicians, and they have often led to some of the greatest musical collaborations in history. But when you add an element of coworking to a shared space, musicians will then have the chance to create a network of people who may be able to contribute to their work beyond the musical level. “The hope is to also create some crossover between the “regular” coworking community and the rehearsal space community, so in-house education can be expanded to include broader topics and cross-community perspectives,” explains Julie.

In addition to musicians having a supportive network, where they can flesh out new ideas, they will also have access to amazing resources like rehearsal space, a performance venue, workshops and a hostel for visiting artists. “We plan to have events or open house hours where our entire community, including members of the Downtown Artery, can mingle both at Cohere Bandwidth and our Cohere Offices,” said Angel.

The Cohere team has also considered providing different tools and instruments musicians might not otherwise have access to otherwise. “We think it may offer them a chance for them to experiment and grow,” explains Julie. “This is a good value add for users of the space.”

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Gathering

Winter is a time for gathering. When there is no where to go because the snow is piled higher than I am tall, my neighboor with the snowblower is swearing up a blizzard outside my window,and the city is practically shut down, it is easy to want to just crawl into bed, all day sitting listening to music, watching X-Files until I begin to see government conspiracies everywhere, and realizing I have not checked the news in weeks, other than the historic weather we've had, and that there are things going on in the world that I should do something about. That makes me want to crawl even deeper under the covers. No more. Even if I have no power over what goes on in the world, I do have power over myself. "everyone thinks of changing the world, but no one ever thinks of changing themselves".So, Yes, it is winter, hibernation season, but that doesn't mean I can't work on myself. I have begun gathering already. I have gathered:Seeds. Lettuce, carrots, herbs. For my yearly little garden tucked away behind my apartment building. Little morsels of life, waiting, like me, for spring. My part for becoming a more self-sustainable civilization?Music. Rediscovering my passion for all sounds Radiohead and Beyond--again. This happens often. I had not discovered Tomorrow's Modern Boxes until the snow storm a week ago. Just what the cabin fever ordered.Books. Loads of sci-fi. Clarke, Card, Wells, and Anne Leckie's Ancillary Justice. Ayn Rand's manifesto, Anthem gave me some food for thought as well. I am seeking next Vonnegut's Sirens of Titan. While I wait I am reading Xenocide, by Orson Scott Card. By the way, If you are reading this post and you have not read Speaker For the Dead, I recommend it.To be honest, I wonder if I should worry that all this science and prospective fiction is going to my head...am I losing myself in a realm of extreme possibilities, when there is so much extreme reality going on around me? Am I trying to escape?I had a solo dance party today. I realized that I danced like Thom Yorke in his Lotus Flower video, and a little like Noodle in the Gorillaz D.A.R.E video, though no one can perfect those moves...Sleep is presently upon me.Good Night,C.
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i'm kinda happy with this site still functioning and im surprised to see my old blog there existing like nothing changed and it's been only a week since the latest post

not that i could say that i'm fond of nostalgy feeling (it makes me feel like my brain is gonna throw up) but still n.o.t.h.i.n.g._ch ang ed.her e/

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it have been 4 years since

4 years passed and there's nothing new, nothing ever changes in my life, i guess it will never have.

my english speaking skills haven't improved, though im gonna take ielts exam next year, and yet i'm hoping to get the best mark. it's always me doing so, living so, waiting the best things to come, thinking that i am, I AM THE BEST THING TO COME IN THIS WORLD and then i suddenly realize that it's, like

not true

it's hard, if not impossible not to expect myself succeeding in everything i do and not letting myself do mistakes and forgive myself for doine ones. that's the real inevitable truth, the one that will never fade in my life -- i should be the best of all, do best, try best, make best, best best best best best best be--

i do feel nothing and im sick

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Raif Badawi.

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INTER PRESS SERVICE

U.N. Helpless as Saudi Flogging Flouts Torture Convention

Reprint |    |  Print |  |En español
Raif Badawi.

Raif Badawi.

UNITED NATIONS, Jan 15 2015 (IPS) - Flogging a dead horse, as the old idiom goes, is far removed from flogging a live Saudi blogger.

But the latest cruel punishment meted out by the rigidly conservative and authoritarian regime in Saudi Arabia has triggered widespread condemnation.

“His flogging and 10-year sentence are testament to the extreme lengths to which the Saudi Arabian authorities will go in order to crush dissent.” -- Sevag Kechichian of Amnesty International

The strongest criticism came Thursday from the U.N. High Commissioner for Human Rights, Zeid Ra’ad Al Hussein, a former permanent representative of Jordan to the United Nations, who said: “Flogging is, in my view, at the very least, a form of cruel and inhuman punishment.

“Such punishment,” he said, “is prohibited under international human rights law, in particular the Convention against Torture, which Saudi Arabia has ratified.”

The Saudi decision makes a mockery of the international convention, as do other violations, including torture of terrorist suspects by U.S. intelligence agencies.

But the United Nations remains helpless and is unable to hold these countries accountable for violations or punish them for infractions because member states reign supreme in the world body – except when penalised by the Security Council.

The Saudi punishment was meted out to Raif Badawi, who was publicly flogged 50 times last Friday and is reportedly due to be flogged every Friday, the holy Sabbath for Muslims, until his sentence of 1,000 lashes has been fully carried out.

Sevag Kechichian, Amnesty International’s (AI) Saudi Arabia researcher on the case, told IPS, “Raif Badawi is a prisoner of conscience, and he was simply trying to uphold his right to freedom of expression and he is being punished for it in a horrifying manner.

“His flogging and 10-year sentence are testament to the extreme lengths to which the Saudi Arabian authorities will go in order to crush dissent.”

Instead of announcing a second round of brutal floggings, the Saudi Arabian authorities must heed the international outcry over his case and order his immediate and unconditional release, he added.

Amnesty also noted that Saudi Arabia had condemned last week’s attack on Charlie Hebdo in Paris as ‘cowardly’.

“The next day, they flogged Raif Badawi for exercising his right to free expression. We need to expose this hypocrisy. We need to embarrass them into action, now.”

Adam Coogle, Middle East Researcher at Human Rights Watch, told IPS the statement by the Office of the U.N. High Commissioner for Human Rights (OHCHR) correctly labels the flogging punishment as torture and calls on Saudi Arabia to abolish the practice.

“We welcome OHCHR’s press statement but call on him [Zeid] and the United Nations to continue to monitor and publicly criticise Saudi Arabia when they impose harsh and draconian punishments on peaceful activists and dissidents,” he added.

In what was described as an “unusual diplomatic rebuke,” the United States last week lashed out at Saudi Arabia, one of its closest allies in the Middle East, and urged the government to rescind its sentencing and review the case.

The United States strongly opposes laws, including apostasy laws, that restrict the exercise of freedom of expression and religion, and urges all countries to uphold these rights in practice, State Department spokesperson Jen Psaki, told reporters.

Javier El-Hage, general counsel of the Human Rights Foundation (HRF), told IPS the government of Saudi Arabia is making a mockery of that country’s obligations under the U.N. Convention Against Torture and Other Cruel, Inhuman or Degrading Treatment or Punishment.

He said “the U.N. Committee against Torture should call on Saudi Arabia’s government to immediately cease flogging Mr. Badawi, as that type of punishment constitutes a clear violation of Saudi Arabia’s obligations under the Convention against Torture.”

According to Article 20 of this Convention, he said, the U.N. Committee Against Torture has the power to carry out “ex officio investigations if it receives reliable information that appears to contain well-founded indications that torture is being systematically practiced in the territory of a State Party.”

While they don’t have the coercive power to force Saudi Arabia to stop the flogging, as is the case with most international law obligations, the committee can certainly report on the topic, condemn Saudi Arabia and issue recommendations, he noted.

In a statement released Thursday, Zeid appealed to the King of Saudi Arabia to exercise his power to halt the public flogging by pardoning Badawi, and also to urgently review this type of extraordinarily harsh penalty.

Badawi, an online blogger and activist, was convicted for exercising his right to freedom of opinion and expression on a website he founded called Free Saudi Liberals. He was sentenced to 10 years’ imprisonment, 1,000 lashes and a fine of one million riyals (266,000 dollars).

Badawi’s case was just one of a succession of prosecutions of civil society activists, said the statement.

On Monday, an appeals court upheld the conviction of Badawi’s lawyer and brother-in-law Waleed Abu Al-Khair on charges that include offending the judiciary and founding an unlicensed organisation. Al-Khair’s sentence was extended from 10 to 15 years on appeal.

The U.N. Committee against Torture has repeatedly voiced concerns about states’ use of flogging and have called for its abolition.

Saudi Arabia’s report on its implementation of the Convention is up for review by the Committee against Torture next year.

Edited by Kitty Stapp

The writer can be contacted at thalifdeen@aol.com

 

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BRASIL

Seven years to end Amazon deforestation - Brazilian NGOs show how

Press release - 3 October, 2007
Nine non-governmental organisations, including Greenpeace, (1) today launched a proposal for a national agreement to end Amazon deforestation (2) at an event attended by the Brazilian Minister of Environment and State Governors. The proposal aims to achieve a broad commitment from sectors of the Brazilian government and civil society for measures to ensure urgent protection for the Amazon rainforest.

Brasília, Brazil. 3 October 2007. Nine non-governmental organisations, including Greenpeace, (1) today launched a proposal for a national agreement to end Amazon deforestation (2) at an event attended by the Brazilian Minister of Environment and State Governors. The proposal aims to achieve a broad commitment from sectors of the Brazilian government and civil society for measures to ensure urgent protection for the Amazon rainforest.

"As we launch this initiative, the forests in the Amazon are being slashed and burned. This has to end. We show that it can end if political will, financing and conservation efforts work in a co-ordinated manner," said Greenpeace Amazon Campaign Co-ordinator Paulo Adario.

"Protecting the world's remaining forests will significantly reduce climate change, maintain the livelihood of millions of people who depend on the forest and protect a huge amount of the world's biodiversity," he said.

The proposal, entitled the 'Agreement on Acknowledging the Value of the Forest and Ending Amazon Deforestation' shows that adopting a system of reduction targets (3) could end deforestation in the Amazon by 2015.

Minister of Environment Marina Silva and State Governors Eduardo Braga (Amazonas), Blairo Maggi (Mato Groso), Waldez Góes (Amapá), as well as other authorities, attended the launch event.

The proposal combines strong public policies with market strategies to promote reductions in Amazon deforestation and to finance the maintenance of existing forests and the 'environmental services' they provide. Estimates are that this would call for an investment of around R$ 1 billion per year (roughly Euro 390 million) from national and international sources.

NGOs believe that economic incentives should be directed at strengthening forest governance including monitoring, control and inspection, promotion of environmental licensing for rural properties, and the creation and implementation of protected areas and indigenous lands. Incentives are also needed to optimise agricultural use in areas which have already been deforested. Indigenous peoples, local communities, traditional populations and rural producers would be among those benefiting from financial compensation for forest conservation.

According to the NGOs, one of the main challenges is to guarantee public policies which incorporate the elimination of deforestation within a social, environmental and economic framework. It is necessary to go beyond 'command and control' measures by promoting the revision and re-orientation of financial incentives which historically have been channeled into destructive practices.

By 2006, approximately 17 per cent of the Amazon rainforest had been destroyed, equivalent to an area larger than France. High rates of deforestation are leading to an accelerated loss of biodiversity which is having a direct impact on the way of life of millions of forest-dependent people. Deforestation, which is predominantly occurring in the tropics, accounts for about one-fifth of global greenhouse gas emissions. Up to 75 per cent of Brazilian greenhouse gas emissions come from land conversion and deforestation mainly in the Amazon, which makes Brazil the fourth largest climate polluter in the world (4).

Destroying the Amazon forest could trigger prolonged droughts in a number of regions of Brazil and reduce the country's agricultural productivity, leading to serious economic and social impacts.

The NGOs involved in developing the agreement see the launch of their initiative as the beginning of a national debate focusing on consistent, long-term solutions to ending deforestation in the Amazon region.

Success, however, depends on this national initiative being coupled with international action. Greenpeace is calling for deforestation to be included in the post-2012 Kyoto climate regime which will be discussed at a conference in Bali, Indonesia, in December. This would be a critical step in providing the financing and capacity needed for governments of forest countries to participate seriously in global efforts to reduce greenhouse gas emissions.

Stabilising the world's climate depends on countries making deep cuts in their energy-related emissions and completely halting deforestation.

VVPR info: Greenpeace Brazil Paulo Adario, Amazon Campaign Co-ordinator: +55 92 8115-8928Tica Minami, Amazon Campaign media officer: +55 92 8114-4517Greenpeace International Roman Paul Czebiniak, Political Advisor on Climate Change & Forests: +31 6 4616 2009For video of recent deforestation and forest fires in the Brazilian Amazon: Footage preview at:http://www.greenpeace.org/international/press/video-previewsFor broadcast quality MPEG2 versions of these clips, please contact video.production@int.greenpeace.org or +31 6 5350 4721 in Amsterdam (GMT +1)For photos of recent deforestation and forest fires in the Brazilian Amazon, please call Laura Lombardi on +31 6 29 00 11 62

Notes: (1) Instituto Socioambiental (www.socioambiental.org), Greenpeace Brazil (www.greenpeace.org.br), Instituto Centro de Vida (www.icv.org.br), Instituto de Pesquisa Ambiental da Amazônia (www.ipam.org.br), The Nature Conservancy (www.tnc.org.br), Conservation International-Brazil (www.conservation.org.br), Amigos da Terra-Amazônia Brasileira (www.amazonia.org.br), Imazon (www.imazon.org.br), and WWF Brasil (www.wwf.org.br).(2) The proposal, Agreement on Acknowledging the Value of the Forest and Ending Amazon Deforestation. Available via the website of Greenpeace Brazil: www.greenpeace.org/brasil/amazonia/ - English translation available at http://www.greenpeace.org/international/press/reports/amazon-deforestation-agreement(3) 7-Year Target Proposals Deforestation (ha) Reduced Deforest. Deforest. 05/06 1,400,000 1st year 1,050,000 350,000 2nd year 787,500 612,500 3rd year 551,250 848,750 4th year 330,750 1,069,250 5th year 165,375 1,234,6256th year 41,345 1,358,6557th year 1,400,000 Total 3,585,902 6,873,780(4) Ministry of Science and Technology, Brazilian First Inventory on Greenhouse Gases Emissions, 2004.

Exp. contact date: 2007-10-10 00:00:00

 
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11011002884?profile=originalNell’epoca dove tante cose sembrano andate perse, e dove molti valori sembrano pian piano scomparsi, si trova spazio e l’ispirazione di far nascere una nuova canzone, con la quale si vuole comunicare i tanti disagi che il mondo attuale si appresta a vivere, le tante problematiche che spesso attanagliano l’essere umano, sempre preso da se stesso, e molto spesso distratto da tutte le cose che il mondo e la vita offrono. E' cosi che nasce “Crisi Esistenziale” il nuovo brano che dà il via al nuovo album di Savio De Martino, cantautore dalle mille risorse artistiche, un brano scritto dallo stesso Cantautore, sia per la parte letteraria, che per la parte musicale, un brano voluto, un testo ricercato, una canzone necessaria, una sorta di protesta, un modo di gridare e poter dire, BASTA !!! Questo stesso brano è stato anche proposto alla candidatura per le nuove proposte di Sanremo Giovani 2015, proprio perche’ i giovani possano valorizzare la propria vita e il futuro, trovando stimoli nuovi, trovando aiuto in chi ha potere, costruirsi un domani fatto di sogni da poter realizzare, Savio De Martino ancora una volta riesce a regalare nuove emozioni, il suo essere cosi poliedrico, rende questo artista, seppur giovane, capace di mettersi sempre in gioco e in discussione con vari generi musicali. Le sue tendenze variano dal Pop al Jazz, dal Blues alla buona Musica Leggera, in tanti anni di gavetta e di carriera è sempre riuscito a dire la sua, regalando al pubblico che lo segue con affetto e stima, tante emozioni e soprattutto tanta energia positiva. Lui innamorato della vita, innamorato della musica, e speranzoso che le cose e il mondo puo’ cambiare, una crisi cosi mondiale, dovrebbe far riflettere molte persone, e sensibilizzare chi ha il potere di essere a capo di tutto, ecco perché nasce questo nuovo brano per il 2015, dal titolo "Crisi Esistenziale". Genesi di Crisi Esistenziale di Savio De Martino Testo, Musica e Produzione sono di Savio De Martino attraverso la S.D.M. Production, la distribuzione avviene grazie alla Zeus Record S.R.L., gli arrangiamenti sono di Giuseppe Balsamo e Savio De Martino, le riprese video di “Pino Baylon Video” e la registazione e mixaggio sono stati effettuati presso lo studio SG SOUND MUSIC ITALY di Savio De Martino. Il video è già disponibile su YouTube. https://www.youtube.com/watch?v=4KtiM12NA5I

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Licening Request for "Give Up the Ghost"

 -Licencing request denied by warner-chappell, but still hopeful to ask 4 "GiveUptheGhost" in my short film. Any chance?

Since my short film and initial purpose for creating this art is based on the song, I am still hopeful that Radiohead might want to work with me on this venture.  Also, I dont know why my request was denied, just sinply that it was. Perhaps being a small time film maker makes the request unappealing to the band?  I wish I knew the reason for denial. Any hope of still making this happen, Radiohead?

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James Blake.

https://www.youtube.com/watch?v=tw6LL1hry3g

Bak Sis:Watching James plays Measurements feels great.This is probably the lastest live performance of this song on Youtube and i can say he's becoming much more confident about playing this song live.With this confidence he had the song in total control.

Before i watched this,i had the feeling that he had to deal with this song so carefully like he was holding a glass orb with his fingertips and trying not to make it fall to the ground.But you can now see his courage to bring small little twists to the song.For example,14:55 ,a slight tap on the synthesizer.It's a gesture showing that he's having fun.There are so much more difference in this one compare to his previous live performances and all these things are telling us that James is ready to go on another adventure in his music career.

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