Yorke (49)

"Sadness falls upon the land..."

In a lengthy interview in the latest issue of The Believer magazine, Thom Yorke has revealed that we'll probably be waiting quite a long time for the next proper Radiohead album. We're more likely to get some EPs or singles or one-off musical releases (perhaps like "Harry Patch [In Memory Of]"?) in the near future."None of us want to go into that creative hoo-ha of a long-play record again. Not straight off," Yorke said. "I mean, it's just become a real drag. It worked with In Rainbows because we had a real fixed idea about where we were going. But we've all said that we can't possibly dive into that again. It'll kill us."He clarified that Radiohead doesn't inherently hate the concept of the full-length. He said, "I mean, obviously, there's still something great about the album. It's just, for us, right now, we need to get away from it a bit." Later, he added, "In Rainbows was a particular aesthetic and I can't bear the idea of doing that again. Not that it's not good, I just can't... bear... that."One kind of Radiohead-related music that might materialize? Orchestral works. As Yorke told The Believer, "Jonny [Greenwood] and I have talked about sitting down and writing songs for orchestra and orchestrating it fully and just doing it like that and then doing a live take of it and that's it - finished. We've always wanted to do it, but we've never done it because, I think the reason is, we're always taking songs that haven't been written for that, and then trying to adapt them. That's one possible EP because, with things like that, you think, Do you want to do a whole record like that? Or do you just want to get stuck into it for a bit and see how it feels?"The entire interview is well worth reading, with Yorke celebrating the death of the CD and the downfall of the music industry as we know it, reflecting on the difficulty of environmentally-friendly touring and music releasing, and musing on the state of Radiohead in general. There's also this wonderful exchange:The Believer: Do you feel like there's any definitive sound that you've been solidifying over your career?Thom Yorke: I fucking hope not.Here is part of the interview:THE BELIEVER: In some ways, the way Internet singles work is close to the way things used to be with the music industry in the ’50s, before full-lengths were the thing, and radio singles were what defined artists.THOM YORKE: Right, and if you forget about the money issue for just a minute, if it’s possible to do that—because these are people’s livelihoods we’re talking about—and you look at it in terms of the most amazing broadcasting network ever built, then it’s completely different. In some ways, that’s the best way of looking at it. I mean, I don’t spend my fucking life downloading free MP3s, because I hate the websites. No one seems to know what they’re talking about. I’d much rather go to sites like Boomkat, where people know what they’re talking about.BLVR: Boomkat is great.TY: It’s brilliant. To me, that’s a business model. It’s like when I used to go to music shops in Oxford. You’re looking at this and you’re looking at that and there’s a whole line of other things going down the side saying, “You’ll probably like this,” and “You might like this.”BLVR: I love those stores where everything’s hand-selected and the clerks write little descriptions about the music.TY: Yeah, and you can listen to it all. I mean, Boomkat is very specific with the type of stuff they flog there, but I can’t see why that wouldn’t work for all music.Source: The Believer MagazineHere's a bit more of that same interview:[Believer]: Do you think [the In Rainbows pay-as-you-will method] worked?[Yorke]: Oh, yeah. It worked on two or three different levels. The first level is just sort of getting a point across that we wanted to get across about music being valuable. It also worked as a way of using the Internet to promote your record, without having to use iTunes or Google or whatever. You rely on the fact that you know a lot of people want to hear it. You don’t want to have to go to the radio first and go through all that bullshit about what’s the first single. You don’t want to have to go to the press. That was my thing, like, I am NOT giving it to the press two months early so they can tear it to shreds and destroy it for people before they’ve even heard it. And it worked on that level. And it also worked financially.[Believer]: Do you think this method would work for other bands who aren’t as known as Radiohead?[Yorke]: With the press, we’re in a lucky position where we don’t really have to rely on a reviewer’s opinion, so why would we let that get in the way? If people want to play it for themselves, why don’t we just give it to them to listen to? I just don’t want to have to read about it first.[Believer]: And that style of release definitely promotes the album as a work of art, rather than a bunch of singles floating around the Internet.[Yorke]: Oh, that’s interesting. I appreciate that. Unfortunately, a lot of people got the album in the wrong order.[Believer]: What about the idea of an album as a musical form? You think that the format is still worthwhile amid iPod shuffling?[Yorke]: I’m not very interested in the album at the moment.[Believer]: I’ve heard you talk a lot about singles and EPs. Is that what you’ve been moving toward?[Yorke]: I’ve got this running joke: Mr. Tanaka runs this magazine in Japan. He always says to me, “EPs next time?” And I say yes and go off on one, and he says, “Bullshit.” [Laughs] But I think really, this time, it could work. It’s part of the physical-release plan I was talking about earlier. None of us want to go into that creative hoo-ha of a long-play record again. Not straight off. I mean, it’s just become a real drag. It worked with In Rainbows because we had a real fixed idea about where we were going. But we’ve all said that we can’t possibly dive into that again. It’ll kill us.
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a friendly schoolmate let me borrow his comic book collection. everything was fine until under extreme mental distress, i began noticing reflections of my life in the comics. it was amusing until my death was foreshadowed and then came true according to book nine, i realized that in fact it was my life that was based on the comics. shortly after my death i was driven to suicide again, anguished by the lack of control i held over my fate. a few days later a girl from school dragged me down to her height by my tie and asked me to kiss her. i realized that this, too, was from the comic and, seeing an opportunity to break away from the book, i refused. when i had escaped to my home, i recieved a text message from her declaring she was making me lunch. i accepted hungrily but then broke into tears remembering book three, when the girl from school made lunch for the boy she likes. after finishing some math problems i began hasty construction of a hangman's noose in the flickering light of a fire on my bed fueled by the comics i had collected. during my work i was tormented by a feeling of forgetting something important. at seven i recieved another text message asking if i preferred rice or pasta. 'rice' i responded, measuring the strength of the noose against my foot. halfway through hanging myself i suddenly remembered that the boy died of choking on rice the day after failing to kill himself for the second time. dissapointed, i cut myself down and went to bed.
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Six Degrees..

So maybe I'm supposed to be sucked into this Carbon Footprint thing. I keep being drawn to this information! Last night I watched Six Degrees Could Change the World on the National Geographic Channel. Six DegreesJesus - we only have ten years. I know..... they've been telling us about it forever (Thom and co.). Good thing I'm biking to the post office now!I definitely think that the world will change because we have to. I do think that those of us in the West need to overcompensate for the developing countries (like China) who are too busy growing to care. And also that the US has a lot of changing to do and a great responsibility to be a leader in this effort.As long as idiots like Rush Limbaugh and all the other right-wing talk-show hosts keep talking out their asses and the pick-up-truck-driving-rebel-flag-flying-hicks keep buying it.. we need guys like Pickens to get the concept across the TV -- which is the only thing they listen to.Sorry, can you tell I've seen a few of those? -- After my daughter's prom "grand march" this year... several of the students got into their pick-up trucks in a parade of sorts.. flying their HUGE rebel flags.. as they left the school to go to prom. Though it's their right to do what they wish, and I would not impose a restriction on that right.. it does reflect the mentality of those who live around here and it's sad that they've taught their children to glorify a tradition that is not even theirs (um.. we're in Rural New York not Texas or Georgia..) for the sake of expressing their hatred of diversity -- or their ignorance at what traditions they are glorifying. To me it says: "Look at me, I'm an ignorant hick!"Sorry off on a tangent there... Hopefully American's will look past the fear mongering going on with the coming election and we can move to a new future with a democratic white house.
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Pickens Plan

Learned about this just today. I think it's a great start to getting Americans thinking about changing our economy and our dependency on fossil fuels. As consumers, we have an unbelievable power if we act in unison toward a common goal.I do think the answer is solar, but wind and natural gas are great ways to break our addiction to oil until solar technologies can be developed.So, check it out: www.pickensplan.com
Find more videos like this on PickensPlan
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The Radiohead Dublin setlist for a second night was great, though many great songs can't be part of it.. why do they play either Paranoid android or Jigsaw ? can't they play both of them?:pno down is the new up, no 2+2=5 .. anyway as it is said many times in the past, the only thing you shouldn't do after a radiohead show is to complain about the songs they didn't playbut it is still a really great setlist
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Radiohead Vs Prince

Prince covered Radiohead's hit Creep in Coachella Festival.. after that, some fans uploaded videos of this appearance in youtube but Prince removed them or blocked them. Radiohead didn't accept his move. Thom Yorke said to billboard.com:“Really? He blocked it?” “Surely we should block it. Hang on a moment. Well, tell him to unblock it. It’s our … song.”
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